La contessa Livia Serpieri
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Feb 21, 2011 · 118 minutes ‧ 1954. Roger Ebert. February 21, 2011. 6 min read. Alida Valli and Farley Granger in "Senso". Visconti’s “Senso” (1954) opens in an opera house and in a way never leaves it. This is a passionate and melodramatic romance, with doomed lovers, posturing soldiers, secret meetings at midnight , bold adultery and dramatic deaths.
- Death in Venice
Visconti fails, then, to develop characters and...
- Death in Venice
Oct 26, 2018 · Senso. Released Oct 26, 2018 2h 5m Drama CTA List. 88% Tomatometer 24 Reviews 73% Popcornmeter 500+ Ratings. A wanton contessa (Alida Valli) loves and betrays an unscrupulous Austrian officer ...
- (24)
- Alida Valli
- Luchino Visconti
- Lux Film
Though first impressions may hint towards a simple matinee romance, Senso is subversive in the extreme. The central characters, when viewed through the harsh gaze of their turbulent and self-serving time, are revealed to be insipidly shallow making the fate of their affair all the more appropriate. Although Visconti’s Marxist leanings are ...
Feb 5, 2024 · On Luchino Visconti’s sumptuous, devastating melodrama. Teatro San Benedetto, a Venetian opera house, opened in 1755. It burned down in 1774 and rose from the ashes in 1792 as the Teatro La Fenice; then it again burned down before reopening in 1836.
Senso is a 1954 Italian historical melodrama film directed and co-written by Luchino Visconti, based on Camillo Boito's novella of the same name. Set during the Third Italian War of Independence , the film follows the Italian Contessa Livia Serpieri ( Alida Valli ), who has an affair with the Austrian Lieutenant Franz Mahler ( Farley Granger ).
Exquisitely framed, lit and photographed, Senso is a grand product of Italian cinema’s golden age, if a notch below Visconti’s masterpiece: The Leopard (1963). The director revisited his theme of social and moral decline amongst aristocrats betraying their principals, in the seedy decadence of
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Luchino Visconti’s Senso fittingly begins at a production of Verdi’s Il Trovatore because the film is heavily operatic, a visual spectacle about heightened emotions. In the Venice of 1866, the restless Countess Livia Serpieri (Alida Valli), married to the older, stuffy Count Serpieri (Heinz Moog), begins an affair with the dashing Austrian Lieutenant Franz Mahler (Farley Granger).
