Search results
Jul 17, 2019 · Sarah Angliss: For me it was about women finding autonomy and expression in the face of the machine, but also coalescing with the machine, not escaping it. I’m one of those weird people who lived in London for years and years, and then I moved away, and immediately couldn’t wait to get back.
Jul 26, 2018 · Drawing on their own collection of folk art, Compton Verney's curators juxtapose a Victorian working model of an artisan potter's workshop with Caroline Radcliffe and Sarah Angliss's filmed performance of The Machinery.
Dec 10, 2013 · Ahead of her BFI Gothic show, composer, inventor and sound historian Sarah Angliss talks to Stuart Huggett about uncanny presences in music, mechanics and song
An utterly compelling sound world from Sarah Angliss's first opera to open the 2023 Aldeburgh Festival.
The Machinery is a performance for solo dancer and a laptop-based digital artist, devised and performed collaboratively by Caroline Radcliffe and composer and digital artist, Sarah Angliss between 2007 -2021.
Dec 10, 2013 · While Angliss began building musical stuff as a child in the 1970s, when she put together soundtracks on a cassette recorder, she studied engineering and robotics at university before going on...
Sarah Angliss’ first opera, Giant. She has been working for many years as a composer and sound designer, known for her blend of acoustic instruments and electronics, of short folk-like songs and distinctive weird sounds. Angliss herself is a multi-instrumentalist who performs on recor-ders and the theremin, and she also designs and
