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  1. Saltburn is the second film written and directed by Emerald Fennell, after Promising Young Woman (2020). [9] By January 2022, Tom Ackerley and Margot Robbie's LuckyChap Entertainment was in talks to produce, after collaborating with Fennell on her previous film. [10]

  2. Dec 29, 2023. Saltburn is a poignant satire of our society: from privilege to class struggle, the film highlights important issues we are more than familiar with today and points out the inherent ...

    • (42)
    • Emerald Fennell
    • R
    • Barry Keoghan
  3. Oct 20, 2023 · Describing the film as “a beautifully wicked tale of privilege and desire”, its official log line reads: “Set in the mid-2000s and shot in a variety of locations around the UK, [the film will see] student Oliver Quick (Barry Keoghan) struggling to find his place at Oxford University and [finding] himself drawn into the world of the charming and aristocratic Felix Catton (Jacob Elordi ...

  4. Dec 22, 2023 · Saltburn: Directed by Emerald Fennell. With Barry Keoghan, Jacob Elordi, Archie Madekwe, Sadie Soverall. A student at Oxford University finds himself drawn into the world of a charming and aristocratic classmate, who invites him to his eccentric family's sprawling estate for a summer never to be forgotten.

    • (220K)
    • Drama, Thriller
    • Emerald Fennell
    • 2023-12-22
  5. Nov 16, 2023 · Saltburn: an ostentatious black comedy designed to shock. Emerald Fennell’s decadent second feature about an Oxford scholarship student who winds up living in his friend’s lavish family mansion presents a provocative eat-the-rich schtick that quickly wears thin. 16 November 2023. Barry Keoghan in Saltburn (2023)

  6. Oct 5, 2023 · Saltburn. Director: Emerald Fennell. Cast: Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E Grant, Alison Oliver, Carey Mulligan. Run time: 2hr 7m. Fennell loves to show off her characters ...

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  8. Nov 17, 2023 · An update of “ The Talented Mr. Ripley ” set in the mid-aughts, “Saltburn” is deliciously, wickedly mean—seductive and often surreal—with lush production values and lacerating performances. As writer and director, Fennell clearly intends to amuse and provoke, and she achieves both of those goals for a long time.

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