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  1. Synopsis. Saint-Omer court of law. 30-year-old novelist Rama attends the trial of Laurence Coly, a young woman who stands accused of killing her 15-month-old daughter after abandoning her to the rising tide on a beach in northern France. Rama is planning to fashion a contemporary retelling of the myth of Medea from the case.

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  2. Get out and about. Major events in the Saint-Omer region. The calendar of events of the year. The Pays de Saint-Omer beats to the rhythm of its events all year round, and each season welcomes its annual events. From major festivals to craft fairs, you’re likely to find the event that suits you. JANUARY.

  3. Sep 16, 2022 · It builds on Diop’s sharply-drawn work as a documentarian – her most recent, Nous (2021), took an empathetic look at Paris’s underclass. And she uses that same documentary nous to full ...

    • Alice Diop
  4. Box office. $822,891 [ 1 ] Saint Omer is a 2022 French legal drama film written and directed by Alice Diop, and starring Kayije Kagame and Guslagie Malanda. It is Diop's first narrative feature; her other films have been documentaries. The film is based on the French court case of Fabienne Kabou, who was convicted in 2016 of murdering her ...

  5. The film follows the novelist Rama (Kayije Kagame) as she attends the trial of Laurence Coly (Guslagie Malanga), a young woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. As the trial continues, the words of the accused and witness testimonies will shake Rama’s convictions ...

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    • Alice Diop
  6. Showtimes. Wed. Feb 8, 6:00 pm. Parisian journalist Rama (Kayije Kagame) travels to Saint Omer in the north of France to observe the trial of a Senagalese woman, Laurence Coly (Guslagie Malanda), accused of infanticide. Coly does not deny the crime; she claims her actions were motivated by sorcery and out of her control.

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  8. Jan 17, 2023 · Creating the Present Moment. Saint Omer furthers Diop’s deeply humanistic approach to storytelling that one sees in her documentaries like We/Nous (2021), which gives voice to Parisians at the margins of the city through conversations with the director as she travels along the rail line, or La permanence (2016), which observes the stories of migrants in a Parisian hospital as newcomers ...

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