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  1. Dec 5, 2023 · Inspired by Marius Petipa’s choreography, Rudolf Nureyev’s Don Quixote is a true celebration of dance with a Spanish flavour. The soloists and the Corps de Ballet are carried away in ensembles and pas de deux to the strains of a spirited score.

  2. Throughout his brilliant and itinerant career, Rudolf Nureyev (1938-1993) built a strong and fruitful relationship with the Paris Opera. It began in style as the Kirov Ballet, from Leningrad, went to Paris while touring in Europe, a tour during which Nureyev decided to defect to the West.

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  3. Based on the classic Spanish novel by Miguel de Cervantes, this ballet adaptation tells the story of the titular Don Quixote: a knight errant who travels across Spain in the pursuit of heroic adventures, accompanied as always by his faithful squire, Sancho Panza.

  4. Don Quichotte (Rudolf Noureev) - Extrait (Ludmila Pagliero) Ballet in three acts with prologue – Based on several scenes taken from the novel by Miguel de Cervantes – Music : Ludwig Minkus – Chorography : Ruldof Nureyev after Marius Petipa.

  5. Nov 1, 2023 · Don Quixote at the Teatro di San Carlo. Date: From 14 to 16 November, 2023. Ballet in a prologue and three acts, orchestrated and adapted by John Lanchbery, with a libretto by Vladimir Petrovic Begicev based on Miguel de Cervantes’ novel ‘Don Quixote of La Mancha.’Director | Martin Yates Choreography | Rudolf Nureyev / Marius Petipa Sets ...

  6. Don Quixote is a 1973 Australian ballet film directed by and starring Rudolf Nureyev and Robert Helpmann. [3] The film is adapted from Marius Petipa's ballet of the same name, itself based on Miguel de Cervantes' novel El ingenioso hidalgo don Quijote de la Mancha.

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  8. LE DON QUICHOTTE DE NOUREEV. A vingt ans, Rudolf Noureev dansait déjà Don Quichotte au Kirov de Leningrad : le livret et la chorégraphie de Marius Petipa en avaient été transmis par la tradition, mais avaient aussi subi des modifications dues aux révisions successives dont la plus importante fut celle d’Alexandre Gorski en 1900.

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