Search results
There are over 60 surviving images from the Godeus studios. Women photographers unencumbered with a spouse were considered particularly daring and brazen. The first such unattached photographer, Anna McGinn, operated and owned several photographic galleries from 1863 until 1867.
This collection includes views of San Francisco street scenes, buildings, and neighborhoods, as well as photographs of famous San Francisco personalities. The collection consists mostly of the photo morgue of the San Francisco News-Call Bulletin, a daily newspaper, ranging from 1920s to 1965.
Jun 21, 2016 · Though she was at the forefront of the Pictorialist movement on the West Coast while working in Seattle early in her career, Cunningham later moved to San Francisco, where she shot her signature, sharp-focus botanical images and became a founding member of f/64—and one of the few women in the group.
Women both shaped and were shaped by the advent of photography in 19th century San Francisco. The photographers described here are remarkable for their achievements, particularly so in light of the chauvinistic, male-dominated city in which they worked and lived.
The San Francisco Historical Photograph Collection in the San Francisco History Center of the San Francisco Public Library contains over 2 million photographs and works on papers of San Francisco and California scenes ranging from 1850 to the present.
Sep 19, 2023 · There’s a popular assumption that the artist Peter Paul Rubens only painted one type of woman: the voluptuous ‘Rubenesque’. A new exhibition at Dulwich Picture Gallery is the first to challenge that thinking.
People also ask
Did Peter Paul Rubens paint only one type of woman?
Did Rubens paint a woman?
What is Peter Paul Rubens famous for?
Where did Rubens study art?
Why is Rubens considered a 'Rubenesque' woman?
How did Rubens create realism?
Jun 28, 2016 · Rubens is noted for his pioneering new style of painting figures, full figured and even more nuanced. Though painted in and for the eye of the male, Rubens’ iconic treatment of the female figure in particular sparked new definitions of form.