Rocco Parondi
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Jun 12, 2008 · Visconti’s operatic homoerotic epic. Crime. 168 minutes ‧ 1960. Roger Ebert. June 12, 2008. 7 min read. After he and his brothers move to a harsh Milan, Rocco (Alain Delon, center, with Renato Salvatori, left, and Carrado Pani) finds many reasons for provocation. Luchino Visconti was a man of many tempers, styles and beliefs, and you can ...
Oct 22, 2015 · A disturbing, despairing epic of the soul, the Italian "Rocco and His Brothers" is a film both authentic and ambitious, a classic that is as adept at telling individual stories as it is in drawing ...
Rated 4/5 Stars • Rated 4 out of 5 stars 03/30/23 Full Review William L Rocco and His Brothers is certainly a sprawling and busy epic focusing on the working class of Italy in the '60s, and ...
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- Alain Delon
- Luchino Visconti
- Drama
And Rocco And His Brothers, beautifully restored for this year’s London Film Festival, is one of his finest three hours. The film’s far from a one-man show, however. A sweeping, meaty, ensemble drama that shines a cold light on post-war Milan while still having the universal resonance of Greek tragedy, it’s a reminder of how much talent there was on both sides of the camera in Italian ...
Mar 25, 2016 · In 1960 alone, Michelangelo Antonioni’s L’avventura and Federico Fellini’s La Dolce Vita were released, and Rocco and his Brothers is right up there with those two classics. Extras include a 2003 French documentary about the film and an hour long documentary about the life and work of Visconti, interviews with cast members and a 40 page booklet.
- Jamie Havlin
Rocco And His Brothers is a great film, which only deepens upon successive viewings (in meaning and complexity) just as its nominal successor (Hannah And Her Sisters) was a quarter century later, but for the same reason, achieved by different means: it takes one into another (past) time and era seamlessly- making any inquiry into what mis-en-scene is seem silly; and in doing so proves it is ...
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Oct 5, 2015 · As the brothers grow apart over time, with Rocco joining the military and Simone trying his mitts within the boxing ring, Visconti places each of the men as correlatively angular pieces within the cityscape. That is, their paths are drawn for inevitable conflict, especially once Rocco starts seeing Nadia (Annie Girardot), Simone’s former lover.
