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  1. Jun 21, 2021 · Learn cinematography from one of the most prolific DPs of our time. Cinematographer Rob Richardson shares film lighting tips learned by working with Scorsese...

    • 13 min
    • 88.5K
    • StudioBinder
  2. In March 2009, actress Natasha Richardson died after hitting her head during a beginner's ski lesson at Mont-Tremblant in Quebec, sending shockwaves around t...

    • 27 min
    • 33.6K
    • Discover Montréal
  3. In today’s cinematographer’s insight we feature Robert Richardson and some of his best advice for cinematographers.Robert Richardson, ASC has won the Academy...

    • 10 min
    • 93.2K
    • AlterCine
  4. Richardson then shot Tarantino's 2020 hit Once Upon a Time in Hollywood, which starred Leonardo DiCaprio and Brad Pitt, and 2021's Venom 2 for Sony/Director Andy Serkis. Recent credits include 2022's Emancipation again with Fuqua for Apple Studios, 2023's Air directed by Ben Affleck for Amazon Studios, and The Equalizer 3 for Director Antoine Fuqua and for Columbia Pictures.

    • January 1, 1
    • 1 min
    • Hyannis, Massachusetts, USA
  5. Hugo, 2011. Robert Bridge Richardson, ASC (born August 27, 1955) is an American cinematographer. [1] Known for his trademark aggressively bright highlight as well as shapeshifting style, he is one of three living persons who has won the Academy Award for Best Cinematography three times, the others being Vittorio Storaro and Emmanuel Lubezki.

  6. Robert Richardson. Cinematographer: Kill Bill: Vol. 1. Robert Richardson has won three Academy Awards and earned seven Academy Award nominations for his cinematography. His work on director Oliver Stone's JFK earned him his first Oscar. His second and third came with The Aviator and Hugo directed by Martin Scorsese. These two films also garnered him BAFTA nominations for Best Cinematographer ...

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  8. Oct 29, 2015 · Richardson was Oscar nominated for his stellar work on this criminally ignored film. 9. Born on the Fourth of July (Oliver Stone, 1989) Born of the Fourth of July is one of the most passionate and searing war films ever crafted, and a big reason for this is Richardson’s intimate, visceral, and thoroughly absorbing camerawork.

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