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  1. It was Simonsen’s first time recording in Paris, and the engineers’ evident love for vintage analogue gear and microphones proved crucial. Their work at Studios St Germain – owned by the film’s music supervisor, Raphaël Hamburger – proved so satisfying that all involved agreed Simonsen should return to record his oft-promised, oft-fantasised solo debut.

  2. Scoring Deadpool’s foray into the MCU required a certain sound and tone that would resonate with fans. Composer Rob Simonsen was tasked with finding that sound. In July, the Marvel Cinematic Universe grew with the inclusion of Deadpool & Wolverine. The new action film features the irreverent Deadpool (played by Ryan Reynolds) teaming up with ...

  3. 117 records for Rob Simonsen. Find Rob Simonsen’s phone number, address, and email on Spokeo, the leading online directory for contact information.

  4. en.wikipedia.org › wiki › Rob_SimonsenRob Simonsen - Wikipedia

    Rob Simonsen (born March 11, 1978) is an American composer and conductor. He is best known for his scores in films such as 500 Days of Summer (2009), The Age of Adaline (2015), Gifted (2017), The Only Living Boy in New York (2017), Tully (2018), Love, Simon (2018), The Front Runner (2018), The Way Back (2020), Ghostbusters: Afterlife (2021), The Adam Project (2022), The Whale (2022), Deadpool ...

  5. Rob Simonsen. Rob Simonsen, composer and solo artist, co-founded the innovative composer collective, The Echo Society. Introduced to music by his grandmother, he honed his craft in jazz piano and music during college. Gaining early recognition for scoring the indie film Westender, he soon was mentored by Mychael Danna and has since crafted ...

  6. Nov 19, 2021 · Ghostbusters: Afterlife composer Rob Simonsen chats with Nerdist about bridging nostalgia with contemporary in his score, inspiration, and more.

  7. Dec 17, 2022 · by Joey Magidson December 17, 2022, 6:45 am. When you see a Darren Aronofsky film, you know you’re in for a sensory experience. Chief among that is the power of the movie’s score. Normally, he works with the great Clint Mansell, but for The Whale, he’s paired with Rob Simonsen, a composer who has almost certainly done the music for a ...

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