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Rita Onwurah is a screenwriter, producer & filmmaker. With a career in Nollywood that spans over a decade, she has several movie & TV writing credits to her name, some of which include Taste of Love (Telenovela), Meet The In-Laws (2016), Special Jollof (2019) Head Over Heels (TV series), Desperate Housegirls (The series) At Your Service (2017 ...
- Writer, Actress
- Rita Onwurah
Ngozi Onwurah (born 1966) is a British-Nigerian film director, producer, model, and lecturer. She is best known as a filmmaker for her autobiographical film The Body Beautiful (1991) and her first feature film, Welcome II the Terrordome (1994). Her work is reflective of the unfiltered experiences of Black Diaspora in which she was raised. [1]
Rita C. Onwurah (@ritaonwurah) • Instagram photos and videos. 2,570 Followers, 271 Following, 169 Posts - Rita C. Onwurah (@ritaonwurah) on Instagram: "Official Account. Screenwriter. Producer. Filmmaker."
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Rita Onwurah is a screenwriter, producer & filmmaker. With a career in Nollywood that spans over a decade, she has several movie & TV writing credits to her name, some of which include Taste of Love (Telenovela), Meet The In-Laws (2016), Special Jollof (2019) Head Over Heels (TV series), Desperate Housegirls (The series) At Your Service (2017 ...
Nov 21, 2016 · Rita Onwurah studied Human Nutrition at the University of Ibadan and has been a screenwriter since 2009, writing and co-writing TV shows and movies like Kiss and Tell, Udeme Mii, Dining with a Long Spoon, Damage, Mrs. Somebody, and Love is in the Hair, to mention a few.
This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah’s brave excursion into her mother’s scorned ...
Onwurah 's strategies for displacing essentialist codes of race and gen-der is precisely through the juxtaposition of seemingly contrasting bodies. Through her own attractive mixed body and her mother's scarred white body, Onwurah presents the viewer with a series of dichotomies: black/white, young/old, sexual/asexual, and so on.
