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Movies set in Renaissance era (1400-1600 AD) The Renaissance era, spanning from the 14th to the 17th century, was a profound period of rebirth and transformation in Europe. Marking the transition from the Middle Ages to modernity, this period was characterized by a revival of interest in Greek and Roman literature, art, and philosophy, leading ...
- Auteurism and The "Film Generation"
- The Advent of The MPAA Rating System
- Recession, 1969-1971, and Easy Rider
- Major Independents from The 1960s
- Auteurs manqué and Maudit
- Niche Figures
- Eccentrics
- "Film Generation" Auteurs, Or The "Hollywood Brats"
- Conclusion: The Commerce of Auteurism
Concurrent with this shift in emphasis at the studios was the rise of auteurism at the level of popular criticism and journalism. Although the concept of authorship in cinema is nearly as old as the medium itself, it was first formally articulated by François Truffaut in his 1954 Cahiers du cinema essay "Une certaine tendance du cinema français." T...
The impulse to experiment at the end of the sixties was facilitated by the final dismantling of the Motion Picture Production Code and its replacement by a rating classification system. As chief industry spokesperson, Motion Picture Association of America (MPAA) president Jack Valenti had for several years been promoting a new climate of creative f...
The studios, however, were still dominated by old regimes and continued to produce a large number of expensive flops for the old audience—such as Fox#x0027;s Star! (Robert Wise, 1968) and Hello, Dolly! (William Wyler, 1969), and Paramount's Paint Your Wagon (Josh Logan, 1969)—at a time when they were simultaneously experiencing structural change an...
This latter group consisted of Arthur Penn (b. 1922), Stanley Kubrick (1928-1999), Sam Peckinpah (1924-1985), and Robert Altman(b. 1922), all of whom had recently demonstrated their ability to connect with a youthful audience.
Mediating culturally and aesthetically between the generation of Penn, Kubrick, Peckinpah, and Altman—all but one of whom (Kubrick) received his basic production training in television—and the "film school" generation of Coppola, Lucas, Scorsese, Spielberg, and De Palma, were a group of directors who attempted to parlay the creative freedoms of the...
There are several other directors whose career trajectories conform in whole or part to this pattern but whose work has been especially genre-specific, notably Paul Mazursky (b. 1930), Bob Fosse (1927-1987), Woody Allen (b. 1935), and Mel Brooks(b. 1926).
Two directors whose work is unequivocally connected with American cinema in the 1970s but who remained resolutely outside of the mainstream are John Cassavetesand Terrence Malick. Both were eccentric talents who flirted briefly with industry careers but chafed under Hollywood's commercial constraints to the extent that Cassavetes moved completely i...
Whereas the generation of directors descended from classical Hollywood had learned filmmaking through apprenticeship or in transmigration from Broadway and the theater, and the recruits of the fifties and sixties were trained in television, many new directors of the seventies had studied film as film in university graduate programs and professional...
In the late 1960s and early 1970s, auteurism became much more to the American cinema than simply a mode of aesthetic discourse. In the unstable environment of the crumbling studio system the opportunity arose to actually practice one form of it, when the studios' transitional managers briefly turned over the reigns of creative power to a rising gen...
The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence.
Jan 8, 2015 · Fortunately, there are plenty of movies that tackle other important events of the era, including the 1899 newsboy strike of Newsies and the rise of gangsters in New York and Chicago, as in Bugsy.
- Stephanie Cangro
Dec 1, 2011 · The ebb and flow of the popularity of foreign film in the United States is an interesting and important subject in film history. A book such as this could have considered the notion of the art film and its reception, both critical and commercial.
- Vanessa R. Schwartz
- 2011
Mar 18, 2023 · From the Colonization of Jamestown to the Salem Witch Trials and the American Revolution, I have always been interested in American history.
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Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the later years of the silent film era.
