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Put simply, recognition is the plot device in which a character understands something that they didn’t previously know. Like reversal, recognition should come from the structure of the plot, and it must occur according to necessity or probability.
Recognition is a way in which the emotional potential inherent in certain human situations can be brought to its highest voltage, so to speak, at the moment of discharge. It is at the end—for Barthes as for Aristotle—that recognition brings its illumination, which can then shed retrospective light. 1.
Dec 29, 2013 · Part 16: Recognition. What Recognition is has been already explained. We will now enumerate. its kinds. First, the least artistic form, which, from poverty of wit, is most. commonly employed- recognition by signs. Of these some are congenital- such as ‘the spear which the earth-born race bear on their bodies,’.
Nov 4, 2014 · I argue that when we interpret a literary work, we engage with at least two different kinds of meaning, each requiring a distinct mode of interpretation. These kinds of meaning are literary varieties of what Paul Grice called nonnatural and natural meaning.
Jun 21, 1990 · This book is about the most neglected strand of Aristotelian poetics — anagnorisis, or recognition. It is a topic that has conventionally had a bad press: the recognition scene is regarded as an implausible contrivance, a feeble way of resolving a plot the author can no longer control.
Oct 18, 2024 · Taylor argues that recognition is a vital human need, not merely a courtesy, but essential for the formation of individual and collective identities. He asserts that the lack of recognition, or misrecognition, can inflict harm on people and groups, distorting their self-image.
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This book is about the most neglected strand of Aristotelian poetics — anagnorisis, or recognition. It is a topic that has conventionally had a bad press: the recognition scene is regarded as...
