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Oct 22, 2024 · The Legacy of Palestrina and Lassus. The contributions of Palestrina and Lassus to Renaissance music cannot be overstated. Their mastery of polyphony set the standard for sacred music and influenced countless composers who followed. Their works remain a cornerstone of choral repertoire, revered for their beauty, complexity, and emotional depth.
anthem, (Greek antiphōna: “against voice”; Old English antefn: “antiphon”), choral composition with English words, used in Anglican and other English-speaking church services. It developed in the mid-16th century in the Anglican Church as a musical form analogous to the Roman Catholic motet ( q.v. ), a choral composition with a sacred ...
- The Editors of Encyclopaedia Britannica
Apr 23, 2015 · The chapter surveys two principal genres–the polyphonic Mass ordinary cycle (DuFay, Ockeghem, Busnois and Josquin) and the emergence of the motet as the dominant compositional type, culminating with Josquin des Prez, the high-water mark of the first half of the Renaissance.
Apr 23, 2015 · The full synthesis of this process results in the sacred choral music of the major Continental composers (Palestrina, Lassus, and Victoria). The chapter includes brief discussions of subsidiary choral genres such as the Passion, Penitential Psalms and the Gospel Motet.
Five-part choral writing is most in evidence, the two soprano lines adding brilliance and edge to a richly contrapuntal (interwoven melody) texture. In the “Sanctus,” Bach branches into six-part polyphony , and in the “Osanna” he calls for an eight-voice double choir apt for antiphonal writing.
