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  1. Feb 7, 2024 · Perhaps its tone alienated audiences: it’s a quirky but not zany light noir, playing the crime elements seriously. The plot follows the fallout when London Chinatown restaurateur Sam Wong is found dead in a phone box. A Chinese-British junior lawyer, Elaine Choi, is tasked with sorting out the will.

  2. www.bfi.org.uk › film › 06bf6a60/3119/5ef5-a87ePing Pong (1986) - BFI

    1986 United Kingdom Directed by Leong Po-Chih Produced by Malcolm Craddock, Michael Guest Written by Jerry Liu Featuring David Yip, Lucy Sheen, Fung Lam

  3. Feb 18, 2023 · The screening in London on 20th March will be followed by a hybrid Q&A session, featuring Dir. Po-Chih LEONG (online) and actress Lucy SHEEN (in-person), moderated by Dr Victor FAN.

    • Orange Chan
  4. Leong Po-Chih (born 31 December 1939 [1]) is a British-Chinese film director. He has worked in England, Hong Kong, and the United States.

    • Elaine Choi: Identity Under Attack
    • Mike Wong: Diaspora Anxiety
    • Navigating Wealth and Race: Mike Wong’s “Ideal Gentleman”
    • Identity and The State in Ping Pong

    Elaine’s relationship to her Chinese heritage is a complex one. While she sees herself as Chinese-British, a first-generation immigrant who moved over at a young age, adapted to living in Britain, with a strong London accent, others dismiss her identity due to her inability to speak Cantonese. Her employment by Sam Wong is due to the fact she has h...

    David A. Jasen and Pramod K. Nayar, in their guide to postcolonialism, speak of the diaspora anxiety that can emerge between different generations of a diaspora community and the complex issues that surround the concept of assimilation into the host community versus the preservation of identity, which is often a deeply personal issue. This idea of ...

    Po-Chih Leong draws on aspects from his own middle-class upbringing as stated by David Yip that he (as Mike Wong) is essentially playing the part of Leong– with characters that are British-Chinese second-generation immigrants who were afforded significant wealth and privilege, such as the Wong boys’ private education and boarding school. This is im...

    One important aspect of the theme of identity in Ping Pong is the exploration of the complex intersections between ‘official’ Chinese identity of the one-state policy. This includes the various states and territories that make up the larger Chinese nation that do not see themselves as complying with the governmental policy and also identity themsel...

  5. Wong leaves one of his restaurants to his eldest son Mike on the condition that it be run as a traditional Chinese restaurant, and another to Jimmy Lee if he agrees to run the restaurant. To his wife Ah Ying, he leaves the family home and warehouse.

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  7. Jul 17, 1987 · FLAVORFUL glimpses of London's Chinatown - the back alleys of restaurants, a gambling den, a traditional funeral - promise something tasty from ''Ping Pong,'' but the main dish doesn't live...

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