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Feb 7, 2024 · Perhaps its tone alienated audiences: it’s a quirky but not zany light noir, playing the crime elements seriously. The plot follows the fallout when London Chinatown restaurateur Sam Wong is found dead in a phone box. A Chinese-British junior lawyer, Elaine Choi, is tasked with sorting out the will.
Feb 18, 2023 · The screening in London on 20th March will be followed by a hybrid Q&A session, featuring Dir. Po-Chih LEONG (online) and actress Lucy SHEEN (in-person), moderated by Dr Victor FAN.
- Orange Chan
1986 United Kingdom Directed by Leong Po-Chih Produced by Malcolm Craddock, Michael Guest Written by Jerry Liu Featuring David Yip, Lucy Sheen, Fung Lam
Retrieved 29 July 2013. Leong Po-chih, who made Jumping Ash (1976), the film which foreshadowed the new wave ... Chinese cop who is sent to Hong Kong to solve a case; Hong Kong 1941 is about the fall of Hong Kong to the Japanese - an allegory about Britain's implied betrayal of Hong Kong ... ^ Edmond Grant (1999).
- Elaine Choi: Identity Under Attack
- Mike Wong: Diaspora Anxiety
- Navigating Wealth and Race: Mike Wong’s “Ideal Gentleman”
- Identity and The State in Ping Pong
Elaine’s relationship to her Chinese heritage is a complex one. While she sees herself as Chinese-British, a first-generation immigrant who moved over at a young age, adapted to living in Britain, with a strong London accent, others dismiss her identity due to her inability to speak Cantonese. Her employment by Sam Wong is due to the fact she has h...
David A. Jasen and Pramod K. Nayar, in their guide to postcolonialism, speak of the diaspora anxiety that can emerge between different generations of a diaspora community and the complex issues that surround the concept of assimilation into the host community versus the preservation of identity, which is often a deeply personal issue. This idea of ...
Po-Chih Leong draws on aspects from his own middle-class upbringing as stated by David Yip that he (as Mike Wong) is essentially playing the part of Leong– with characters that are British-Chinese second-generation immigrants who were afforded significant wealth and privilege, such as the Wong boys’ private education and boarding school. This is im...
One important aspect of the theme of identity in Ping Pong is the exploration of the complex intersections between ‘official’ Chinese identity of the one-state policy. This includes the various states and territories that make up the larger Chinese nation that do not see themselves as complying with the governmental policy and also identity themsel...
For British-born director Po Chih Leong, Ping Pong (1986) represents an examination of his own Chinese background. The film is filled with quirky scenarios and surreal imagery depicting the East-West cultural clash.
Ping Pong was the first British feature film written and directed by a British-Chinese filmmaker. Followed by a Q&A with director Po-Chih Leong (online) and lead actor Lucy Sheen (in-person), moderated by Dr Victor Fan
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