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Feb 7, 2024 · Leong Po-Chih’s Ping Pong (1986) debuted at the 1986 Venice Film Festival, then sank almost without trace, grossing just £12,928 in a meagre British theatrical run before its television airing and $67,421 in its US release. Perhaps its tone alienated audiences: it’s a quirky but not zany light noir, playing the crime elements seriously.
Feb 18, 2023 · The screening in London on 20th March will be followed by a hybrid Q&A session, featuring Dir. Po-Chih LEONG (online) and actress Lucy SHEEN (in-person), moderated by Dr Victor FAN.
- Orange Chan
The film asks what it means to be Chinese-British with intergenerational gaps and differences. A witty comedy-thriller, Ping Pong revolves around the death of Sam Wong, the owner of a Chinese restaurant in London’s Chinatown, who is found dead in a phone booth.
Leong Po-Chih (born 31 December 1939 [1]) is a British-Chinese film director. He has worked in England, Hong Kong, and the United States.
- Elaine Choi: Identity Under Attack
- Mike Wong: Diaspora Anxiety
- Navigating Wealth and Race: Mike Wong’s “Ideal Gentleman”
- Identity and The State in Ping Pong
Elaine’s relationship to her Chinese heritage is a complex one. While she sees herself as Chinese-British, a first-generation immigrant who moved over at a young age, adapted to living in Britain, with a strong London accent, others dismiss her identity due to her inability to speak Cantonese. Her employment by Sam Wong is due to the fact she has h...
David A. Jasen and Pramod K. Nayar, in their guide to postcolonialism, speak of the diaspora anxiety that can emerge between different generations of a diaspora community and the complex issues that surround the concept of assimilation into the host community versus the preservation of identity, which is often a deeply personal issue. This idea of ...
Po-Chih Leong draws on aspects from his own middle-class upbringing as stated by David Yip that he (as Mike Wong) is essentially playing the part of Leong– with characters that are British-Chinese second-generation immigrants who were afforded significant wealth and privilege, such as the Wong boys’ private education and boarding school. This is im...
One important aspect of the theme of identity in Ping Pong is the exploration of the complex intersections between ‘official’ Chinese identity of the one-state policy. This includes the various states and territories that make up the larger Chinese nation that do not see themselves as complying with the governmental policy and also identity themsel...
Ping Pong was the first British feature film written and directed by a British-Chinese filmmaker. Followed by a Q&A with director Po-Chih Leong (online) and lead actor Lucy Sheen (in-person), moderated by Dr Victor Fan
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Jan 31, 2024 · Ping Pong: Programme Notes. Ahead of Lunar New Year, Park Circus is proud to be bringing Channel 4's Ping Pong back to the big screen. To celebrate the re-release, Katie Smith-Wong takes us back to London's Chinatown in the '80s in search of the quiet cultural legacy behind a pioneering British-Chinese film. A quirky combination of noir, comedy ...