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And this shaman indeed made sure that in ‘JFK’, everything came into play—archival footage, news photographs, black and white, color, Super 8, 8mm, 16mm, 35mm. Editing duo Joe Hutshing and Pietro Scalia were then to utilize this wide range of source material to create Stone’s unique jigsaw puzzle.
Mar 8, 2024 · Together, they took charge of “Ferrari” in post-production in much the same way that the pit crew is responsible for a car mid-race: they refueled the film, changed its tires, and assured that, when it prepared to make its rounds on the course of the year’s best pictures, it was in tip-top shape.
Pietro Scalia (born March 17, 1960) is an Italian film editor. He won the Best Film Editing award at the 64th Academy Awards for his work on the film JFK, sharing the award with Joe Hutshing, and at the 74th Academy Awards for Black Hawk Down.
Dec 20, 2023 · For editor Pietro Scalia and his veteran team, scenes away from the action — at the opera and at home — infused Michael Mann’s latest with emotion and authenticity.
Jan 4, 2024 · Michael Mann explains the ‘unresolved’ tensions in the final moments of ‘Ferrari,’ which turn the film from a racing picture into an intimate tale of parental grief.
Behind the spectacle of Formula 1, ex-racer Enzo Ferrari is in crisis. Bankruptcy threatens the factory he and his wife, Laura, built from nothing ten years earlier. Their volatile marriage is battered by the loss of their son, Dino. Ferrari struggles to acknowledge another with Lina Lardi.
Behind the spectacle of Formula 1, ex-racer Enzo Ferrari is in crisis. Bankruptcy threatens the factory he and his wife, Laura built from nothing ten years earlier. Their volatile marriage has been battered by the loss of their son, Dino a year earlier. Ferrari struggles to acknowledge his son Piero with Lina Lardi.