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Mar 13, 2019 · Two years before he died, Bonnard returned to “Young Women in the Garden.” The last time he’d touched the painting had been in 1923, when both de Méligny and Monchaty had been alive. Now, twenty-two years later, on the precipice of his own death, he changed an aspect of it: he painted the ground a dirty, golden yellow.
Jul 12, 2024 · The Nabi years. Born in 1867 in Fontenay-aux-Roses, Pierre Bonnard shared his childhood between this town of Île-de-France and the family property of Grand-Lemps, in Isère. In 1887, he enrolled at the Julian Academy, a private school of painting and sculpture. There he met Paul Sérusier, Maurice Denis and Paul Ranson.
Pierre Bonnard (French: [bɔnaʁ]; 3 October 1867 — 23 January 1947) was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality.
- French
- October 3, 1867
- Fontenay-aux-Roses, Hauts-de-Seine, France
- January 23, 1947
7) It's hard to think of Pierre, without Marthe. Pierre Bonnard. The Bath (1925) Tate. Marthe de Méligny appears throughout Bonnard’s work. It is almost impossible to imagine his paintings without her. They remained together for fifty years, despite Bonnard having numerous affairs with younger women.
Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse.
The artistic legacy of Pierre Bonnard (1867–1947) calls to mind the many dazzling bathing paintings of Marthe, his wife and muse of nearly fifty years, modeling in the bathtub, toweling her ever-youthful figure, or gazing at her nude likeness at her toilette. These shimmering visions of still waters, iridescent tiles, and private escapes have been in the public eye for many decades.
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Mar 28, 2019 · On view at the Tate Modern, Pierre Bonnard: The Colour of Memory focuses on the French Post-Impressionist's mature work, from 1912, when color became his chief concern, until his death in 1947.
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