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Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
Jun 20, 2024 · De la Cruz Collection director, Melissa Wallen, recalls Rosa’s ‘radical spirit’: ‘She wasn’t afraid of taking chances. Likewise, she encouraged artists to not be so afraid of making mistakes. She understood that it was in those moments that artists would oftentimes have breakthroughs.’.
Sor Juana Inés de la Cruz is remembered as the first published feminist of the New World (the Americas) and stands as a national icon of Mexico, which commemorated her on the 200-peso bill. She is recognized for both her outstanding writing and her influential perspectives on women and scholarship.
- Stephanie Merrim
- Sor Juana Inés de la Cruz was a poet and scholar whose work bridged the periods of the Spanish Golden Age Baroque and the Enlightenment, the locale...
- Sor Juana Inés de la Cruz used Baroque style to promote empiricism, Neoplatonism, and Scholasticism. She also displayed a certain feminism, portray...
LOS TRES SONETOS A LA ROSA DE SOR JUANA INÉS DE LA CRUZ ALESSANDRA LUISELLI Washington University No es éste el primer tríptico elaborado en torno a la magnífica figura de Sor Juana Inés de la Cruz. Ya antes, también en el mes de noviembre pero del año 1951, el estudioso por excelencia de la obra sorjuanina, Alfonso Méndez
Aug 21, 2020 · Oswaldo Cruz was the son of Bento Gonçalves Cruz (1845-1892), a physician from Rio de Janeiro, and Amália Taborda Bulhões (1851-1922). In 1866, a third-year medical student, Bento joined the Brazilian Army and served for a brief period as a volunteer physician during the Paraguayan War (1864-1870).
En este soneto sor Juana Inés de la Cruz expone la suerte que corre el amor cuando el celoso, movilizado por las pasiones que desde el inicio lo poseen, se deja arrastrar. Los celos que tenía por miedo a perder a su amada, se transforman en la causa de perderla.
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Del tópico de la rosa, tradicionalmente comparada con la mujer en sus características de belleza fugaz por su fragilidad y de los afeites usados por ella, ha saltado Sor Juana a convertirla en instrumento para proposiciones epistemológicas que preocupan a todo ser pensante.
