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SUBSCRIBE to this channel for exclusive videos from AFI: http://bit.ly/SubscribeAFIAri Aster on meeting his longtime collaborator Pawel Pogorzelski. #midsomm...
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- American Film Institute
Jul 12, 2022 · We sat down with Pawel Pogorzelski, Director of Photography for the film Nobody, starting Bon Odenkirk.Born in Poland and raised in Montreal, Pawel shares so...
Subscribe to this channel for exclusive videos from AFI: http://bit.ly/SubscribeAFIMIDSOMMAR is the 7th film by writer/director Ari Aster & cinematographer P...
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- American Film Institute
- Finding The Right Tools
- Riding The Edge of Brightness
- Color
- How The Look Progresses
Pogorzelski:Our first conversations were really about the all day [aspect], having everything bright and just shooting something where it’s always daytime and in the sun was very challenging for sure, but that was very exciting for us to think about. Aster:With “Hereditary,” we were pursuing this look that was almost too dark. We wanted to push our...
Aster:Pawel spent long days in the field alone before we were shooting, seeing what times were best for the light and which areas and so he was in charge of the schedule day-to-day in terms of what we were shooting. Pogorzelski:Prep was studying and planning for the light, that was a big part of this for me. I had some students go out to the field ...
Aster:In terms of the color we were talking about technicolor alot. We wanted the film to feel like that three-strip technicolor process. We were thinking about, especially “Black Narcissus,” “Tales of Hoffman,” really the [Michael] Powell and [Emeric] Pressburger color films in general. They’re my heroes and, whenever we start talking about color,...
Pogorzelski:Some of the first conversations look-wise that Ari and I had were about the vibrant color, but also the progression into the vibrant colors. We did a progression, where the first part of the film, when they’re in the States and until they get to Harga [the village], was shot at 5K with 35 mm lenses. So standard Primo lenses, and then on...
Pawel Pogorzelski is an award-winning and well-traveled Cinematographer whose hope is to portray the human psyche through challenging and beautiful images.
Pawel Pogorzelski (born 1979) is a Polish - Canadian [1] cinematographer, known for his work with director Ari Aster. Pogorzelski was born in 1979 in Włocławek, Poland but moved to Montreal with his family when he was 2. [2]
May 20, 2021 · Mangled Russian henchmen almost qualify as light and breezy for cinematographer Pawel Pogorzelski. The Polish-born, Canadian-raised DP made his name shooting Ari Aster’s disquieting Hereditary and Midsommar .
