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Pawel Pogorzelski (born 1979) is a Polish-Canadian [1] cinematographer, known for his work with director Ari Aster. Pogorzelski was born in 1979 in Włocławek, Poland but moved to Montreal with his family when he was 2. [2] He studied at Concordia University, receiving an undergraduate degree in media communication.
Pawel Pogorzelski was born on 30 July 1979 in Wloclawek, Kujawsko-Pomorskie, Poland. He is a cinematographer and producer, known for Midsommar (2019), Hereditary (2018) and Beau Is Afraid (2023). Born July 30, 1979. Add photos, demo reels.
- January 1, 1
- 29 min
- Wloclawek, Kujawsko-Pomorskie, Poland
- Finding The Right Tools
- Riding The Edge of Brightness
- Color
- How The Look Progresses
Pogorzelski:Our first conversations were really about the all day [aspect], having everything bright and just shooting something where it’s always daytime and in the sun was very challenging for sure, but that was very exciting for us to think about. Aster:With “Hereditary,” we were pursuing this look that was almost too dark. We wanted to push our...
Aster:Pawel spent long days in the field alone before we were shooting, seeing what times were best for the light and which areas and so he was in charge of the schedule day-to-day in terms of what we were shooting. Pogorzelski:Prep was studying and planning for the light, that was a big part of this for me. I had some students go out to the field ...
Aster:In terms of the color we were talking about technicolor alot. We wanted the film to feel like that three-strip technicolor process. We were thinking about, especially “Black Narcissus,” “Tales of Hoffman,” really the [Michael] Powell and [Emeric] Pressburger color films in general. They’re my heroes and, whenever we start talking about color,...
Pogorzelski:Some of the first conversations look-wise that Ari and I had were about the vibrant color, but also the progression into the vibrant colors. We did a progression, where the first part of the film, when they’re in the States and until they get to Harga [the village], was shot at 5K with 35 mm lenses. So standard Primo lenses, and then on...
Jun 3, 2021 · Photo Source: Courtesy of A24. “Midsommar,” the just-released pagan cult thriller from A24 and filmmaker Ari Aster (“Hereditary”), takes a conceptually harrowing premise and makes gorgeous ...
May 20, 2021 · Mangled Russian henchmen almost qualify as light and breezy for cinematographer Pawel Pogorzelski. The Polish-born, Canadian-raised DP made his name shooting Ari Aster’s disquieting Hereditary and Midsommar. With Nobody in theaters and on premium VOD, Pogorzelski talked to Filmmaker about his role in creating an unlikely new action hero.
Pogorzelski: We really fell in love with it on Hereditary. Before that we’d shot everything we’d done together in 1.85. For Midsommar, we were thinking of maybe shooting 2.40. Ari thought we could get more people in the frame horizontally for our wide shots, but I thought the vertical space was very important because of the mountains ...
Feb 8, 2021 · Pawel Pogorzelski participated in a live, interactive interview as part of RED’s Behind the Look Virtual Cinematography Series in April 2020. This Q&A is an excerpt from that conversation with Naida Albright, Filmmaker Liaison for RED. Pawel Pogorzelski is known for his critically acclaimed work on director Ari Aster’s Midsommar and Hereditary.
