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Apr 13, 2023 · Gareth Dunnet-Alcocer provided the script while DC Studios co-CEO Peter Safran and John Rickard produced the film. Executive producers include Zev Foreman, Garrett Grant and David Siegel. Pawel...
Pogorzelski garnered critical acclaim for his work on the 2018 psychological horror film Hereditary, directed by Ari Aster. [5] They would work together again on the 2019 film Midsommar , for which he received a nomination for the Independent Spirit Award for Best Cinematography at the 35th Independent Spirit Awards . [ 6 ]
Nov 4, 2023 · Back in April, Ari Aster’s go-to cinematographer, Pawel Pogorzelski briefly mentioned that “Eddington” would be shooting in late summer. I’m thinking that now, due to the actors strike, we’re looking at a 2024 production start. Aster had originally spoken about “Eddington” during an AMA on Reddit.
Cinematographer: Midsommar. Pawel Pogorzelski was born on 30 July 1979 in Wloclawek, Kujawsko-Pomorskie, Poland. He is a cinematographer and producer, known for Midsommar (2019), Hereditary (2018) and Beau Is Afraid (2023).
- January 1, 1
- 29 min
- Wloclawek, Kujawsko-Pomorskie, Poland
Template:Use list-defined references Template:Use mdy dates Blue Beetle is a 2023 American superhero film based on the DC Comics character Jaime Reyes / Blue Beetle. Directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, it is the 14th film in the DC Extended Universe (DCEU). Xolo Maridueña stars as Reyes, a recent college graduate who is bestowed with an armor that grants him ...
Apr 19, 2023 · World Of Reel has the scoop: Aster will start shooting his next movie, “Eddington,” this summer, with Joaquin Phoenix set to lead its ensemble cast. Also back? Cinematographer Pawel Pogorzelski, who’s shot all three of Aster’s features.
Sep 20, 2019 · Aster’s trusted cameraman, Pawel Pogorzelski, often denies us access to the terrifying sights beyond the frame. Whenever a character registers some sort of disturbance – like when Peter looks up to find Annie sawing off her head with piano wire – the camera will hold its focus on the gazer rather than the object of the gaze.
