Yahoo Web Search

Search results

1. www.newyorker.com › magazine › 1971/02/20Raising Kane - The New Yorker

   www.newyorker.com › magazine › 1971/02/20

   Feb 12, 1971 · Pauline Kael's 1971 essay on “Citizen Kane,” Orson Welles, and Herman J. Mankiewicz.

   • Raising Kane—II

     Part two of Pauline Kael's 1971 essay on “Citizen Kane,”...

   • Beyond “Citizen Kane

     Alex Ross and Richard Brody join Amelia Lester and David...

   • Hawks

     Read more about Hawks from The New Yorker

   • Ross

     Read more about Ross from The New Yorker

   • Alchemy

     Pauline Kael’s 1972 review of Francis Ford Coppola’s classic...

   • Nicholas

     Read more about Nicholas from The New Yorker

   • Arthur

     Read more about Arthur from The New Yorker

2. www.thestacksreader.com › the-untouchablesThe Untouchables - The Stacks Reader

   www.thestacksreader.com › the-untouchables

   • Cached

   By Pauline Kael. The New Yorker. June 29, 1987. Chicago circa 1930—AI Capone’s capital of crime—looks so much better than New York City looks right now that local audiences for The Untouchables may feel somewhat chagrined.

3. www.rogerebert.com › roger-ebert › knocked-up-at-theKnocked up at the movies - Roger Ebert

   www.rogerebert.com › roger-ebert › knocked-up-at-the

   • Cached

   Dec 14, 2012 · There will no doubt be many discussions of Kael’s work and influence and with the publication of Brian Kellow’s new biography Pauline Kael: A Life in the Dark, and the Library of America’s forthcoming collection of her work.

   • 
   • 
   • 
   • 

4. www.upstartfilmcollective.com › portfoliosThe Untouchables (1987) - upstartfilmcollective.com

   www.upstartfilmcollective.com › portfolios

   • Cached

   Pauline Kael Review Set in Chicago circa 1930 - Al Capone's capital of crime--this Brian De Palma movie, from a script by David Mamet, is like an attempt to visualize the public's collective dream of Chicago gangsters. Our movie-fed imagination of the past is enlarged and given a new vividness.

5. www.chicagotribune.com › 2001/09/04 › pauline-kael-82PAULINE KAEL, 82 – Chicago Tribune

   www.chicagotribune.com › 2001/09/04 › pauline-kael-82

   • Cached

   Sep 4, 2001 · Pauline Kael, who expressed her passion for movies in jaunty, jazzy prose as the longtime film critic for The New Yorker magazine, died Monday, in her home in Great Barrington, Mass. She was 82.

6. en.wikipedia.org › wiki › Pauline_KaelPauline Kael - Wikipedia

   en.wikipedia.org › wiki › Pauline_Kael

   • Cached

   Pauline Kael (/ keɪl /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, [ 2 ] Kael often defied the consensus of her contemporaries.

7. People also ask

   Who was Pauline Kael?

   • Pauline Kael ( / keɪl /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, [ 2] Kael's opinions often ran contrary to those of her contemporaries.

   Pauline Kael - Wikipedia

   en.wikipedia.org/wiki/Pauline_Kael

   See all results for this question

   When did Pauline Kael retire?

   • (This is the first part of a two-part article.) Published in the print edition of the February 20, 1971, issue. Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. Pauline Kael's 1971 essay on “Citizen Kane,” Orson Welles, and Herman J. Mankiewicz.

   Raising Kane | The New Yorker

   www.newyorker.com/magazine/1971/02/20/raising-kane-i

   See all results for this question

   How did Kael influence the film industry?

   • Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades". Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." [ 4]

   Pauline Kael - Wikipedia

   en.wikipedia.org/wiki/Pauline_Kael

   See all results for this question

   Why did Kael criticize the auteur theory?

   • Kael was an opponent of the auteur theory, criticizing it both in her reviews and in interviews. She preferred to analyze films without thinking about the director's other works.

   Pauline Kael - Wikipedia

   en.wikipedia.org/wiki/Pauline_Kael

   See all results for this question

8. raysawhill.info › 2019/05/31 › pauline-kael-in-1989Pauline Kael in 1989 - Ray Sawhill

   raysawhill.info › 2019/05/31 › pauline-kael-in-1989

   May 31, 2019 · Pauline Kael’s writing has been riling people since she published her first movie review in the early 1950s. The way she made sexual awareness and boldness contribute to a kind of heightened intelligence upset people — and may still.