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Jul 16, 2024 · Especially when all your friends have homes and kiddies”, says Jim. Later, in a frenetic dance hall, the couple are once again lifted above the crowd, shown slow dancing alone against a color-tinted backdrop, a yellow crescent moon overhead.
Jun 1, 2023 · Two meta-analyses of anxiety prevention programs provide some insight into the relative effectiveness of FRIENDS (Fisak et al., 2011; Johnstone et al., 2018). Fisak et al. (2011) conducted a meta-analysis to examine the efficacy of anxiety prevention programs for children and adolescents.
Paul Fejos had a first career in Hollywood as a filmmaker—his The Last Moment (1928), about a suicide victim recalling his life, is still considered one of the great early experimental films. 13 He also carried out grueling fieldwork (with no prior training) as an archeologist and ethnographic filmmaker in Madagascar, Peru, Thailand, and ...
In this article I explore the origins of the Wenner-Gren Foundation for Anthropological Research. I focus on the complex relationship between Paul Fejos, the foundation’s first scientific director, and Axel Wenner-Gren, its founding president and benefactor.
Aug 28, 2012 · By Phillip Lopate. Essays — Aug 28, 2012. P aul Fejos’s Lonesome is one of those no-longer-forgotten treasures that cinephiles in the know cherish. A frequent retrospective highlight at film festivals, lovingly restored, it has a fresh, dashing charm and brio that repay numerous visits.
Pál Fejős (24 January 1897 – 23 April 1963), known professionally as Paul Fejos, was a Hungarian-American director of feature films and documentaries who worked in a number of countries including the United States. He also studied medicine in his youth and became a prominent anthropologist later in life.
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Aug 31, 2012 · The Travels of Paul Fejos. By Graham Petrie. Essays —. Aug 31, 2012. Share. P aul Fejos’s 1928 film Lonesome is now rightly regarded as one of the peaks of American, and indeed international, late silent cinema, comparable to such masterpieces as F. W. Murnau’s Sunrise (1927) and King Vidor’s The Crowd (1928), yet it is only relatively ...