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  1. Passing is a 2021 American historical drama film written and directed by Rebecca Hall in her feature directorial debut. It is adapted from the 1929 novel of the same name by Nella Larsen. Set in 1920s New York City, the film follows the intertwined life of a black woman (Tessa Thompson) and her white-passing childhood friend .

  2. www.imdb.com › title › tt8893974Passing (2021) - IMDb

    Passing: Directed by Rebecca Hall. With Tessa Thompson, Ruth Negga, André Holland, Bill Camp. "Passing" follows the unexpected reunion of two high school friends, whose renewed acquaintance ignites a mutual obsession that threatens both of their carefully constructed realities.

    • (17K)
    • Drama, Mystery, Thriller
    • Rebecca Hall
    • 2021-11-10
  3. Oct 27, 2021 · Passing. Drama. 98 minutes ‧ PG-13 ‧ 2021. Odie Henderson. October 27, 2021. 7 min read. As I watched writer/director Rebecca Hall ’s adaption of Nella Larsen ’s 1929 novella, Passing, I couldn’t stop thinking about the story in “Ma Rainey’s Black Bottom” where “a colored man” named Eliza Cottor sold his soul to the Devil.

  4. In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.

    • (251)
    • Rebecca Hall
    • PG-13
    • Tessa Thompson
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  5. In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white. Watch trailers & learn more.

    • 99 min
    • passing (film) movie1
    • passing (film) movie2
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  6. Sep 21, 2021 · Adapted from the celebrated 1929 novel of the same name by Nella Larsen, PASSING tells the story of two Black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Academy Award nominee...

    • 2 min
    • 1.7M
    • Netflix
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  8. Irene Redfield, a refined, upper-class 1920s woman, finds breezy refuge from a hot summer day in the grand tearoom of New York City's Drayton Hotel. Across the room, she spots a blond woman staring her down, Clare.

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