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Oz. (magazine) OZ London, No.33, February 1971. Cover image by Norman Lindsay. Oz was an independently published, alternative / underground magazine associated with the international counterculture of the 1960s. While it was first published in Sydney in 1963, a parallel version of Oz was published in London from 1967.
Oz magazine archive. Oz magazine is one of the most important records of 20th century counter-culture and revolution. During the run of 48 issues between 1967 and 1973, Oz tackled subjects ranging from gay rights to racism, the environment, feminism, sex, the pill, acid, rock music and the Vietnam War. Produced in a basement flat in London's ...
In The Guardian, Chitra Ramaswamy describes the London magazine as “the icon – and the enfant terrible – of the underground press. Produced in a basement flat off Notting Hill Gate, Oz was soon renowned for psychedelic covers by pop artist Martin Sharp, cartoons by Robert Crumb, radical feminist manifestos by Germaine Greer, and ...
Oct 29, 2007 · OZ 4 (Jun 67) Hapshash and the Coloured Coat (gold ink cover - 350K full-size image displays vertically) + OZ Sheet No 1. IT Girl (Susie) Norman Normal. Marriage / Living in Sin. Snakes & Snakes.
OZ magazine was published in London between 1967 and 1973 under the general editorship of Richard Neville and later also Jim Anderson and Felix Dennis. Martin Sharp was initially responsible for art and graphic design. Copies of OZ can be viewed and downloaded for research purposes from this site. OZ magazine is reproduced by permission of ...
OZ magazine, London, was published between 1967 and 1973 under the general editorship of Richard Neville, Jim Anderson and Felix Dennis, with Martin Sharp initially responsible for art direction. This image gallery displays covers and posters from the magazine. OZ magazine is reproduced by permission of Richard Neville.
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Jun 22, 2017 · The Gay Issue. In 1969, just two years after homosexuality was decriminalised in the UK, Jim Anderson, himself gay, decreed it was time for the “Gay Issue” of Oz.He commissioned one of the magazine’s most striking covers depicting two of his friends, one black, the other white, clasped in a nude embrace, to represent the publication’s attitude towards racial and sexual liberation.
