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The cinema (photographed theater) shows to what extent. No absolute value to an image. Sound and image owe their value and their power only to the use you put them to. In the mixture of true and false, the true makes the false stand out, the false prevents belief in the true.
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Jan 15, 2020 · Cinema is an experiential art, and Notes on the Cinematograph is an experiential read for those fascinated in Bresson’s set of principles and approach to film language, intrigued by the potential of filmmaking as an art form, and absorbed in their own cinematic style.
Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. [1] J. M. G. Le Clézio wrote a preface for a new edition in 1988. [2] The book was published in English in 1977, translated by Jonathan Griffin. [3]
- Robert Bresson
- 1975
Apr 4, 2004 · Robert Bresson wrote a slim volume of his thoughts on cinema called Notes on Cinematographer which defies categorisation. What is striking and unique about Bresson is how his writing is so much like his filmmaking: the elliptical style, the epigrammatic prose, the obtuse meanings, the material rigidity, the conciseness, the frugality of means.
Oct 1, 2024 · I tested 'Notes On The Cinematographer' and it completely transformed my filmmaking skills. Learn essential techniques from this must-read book.
Ranging over topics from the inspiration behind his films, to his ideas on the use of sound, actors, editing and music, and the state of (the then) contemporary cinema (from James Bond to the New Wave), Bresson describes his singular approach to filmmaking.
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Notes on the Cinematographer is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. J. M...
![Notes on the Cinematographer 3 [pdf]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "Notes on the Cinematographer 3 [pdf]")
