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Excerpts from: Notes on Cinematography: Two kinds of films: those which use the theater's means (actors, direction, etc.) and wield the camera in rder to reproduce: those which se the cinematog-rap 's means and wield the camera in order to create. An appeal to the eye only makes the ear impatient: the ear p aled to alone makes the eye impatient.
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Jan 15, 2020 · Cinema is an experiential art, and Notes on the Cinematograph is an experiential read for those fascinated in Bresson’s set of principles and approach to film language, intrigued by the potential of filmmaking as an art form, and absorbed in their own cinematic style.
Apr 4, 2004 · Robert Bresson wrote a slim volume of his thoughts on cinema called Notes on Cinematographer which defies categorisation. What is striking and unique about Bresson is how his writing is so much like his filmmaking: the elliptical style, the epigrammatic prose, the obtuse meanings, the material rigidity, the conciseness, the frugality of means.
Sep 23, 2017 · A distillation of his theory and practice as a filmmaker, the Notes on the Cinematograph is full of cryptic aphorisms and practical, common sense advice on all aspects of filmmaking, from cinema, writing and working with actors, to photography, sound and lighting.
Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. [1] J.
- Robert Bresson
- 1975
Notes on the Cinematographer is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. J. M...
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Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the...
