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The cinema (photographed theater) shows to what extent. No absolute value to an image. Sound and image owe their value and their power only to the use you put them to. In the mixture of true and false, the true makes the false stand out, the false prevents belief in the true.
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Oct 1, 2024 · In this article, I’ll be sharing my thoughts on this masterpiece and delving into some key takeaways that every cinephile should know. So let’s dive in and explore the world of cinematography through Bresson’s eyes in “Notes On The Cinematographer.”
Jan 15, 2020 · Cinema is an experiential art, and Notes on the Cinematograph is an experiential read for those fascinated in Bresson’s set of principles and approach to film language, intrigued by the potential of filmmaking as an art form, and absorbed in their own cinematic style.
Apr 4, 2004 · Robert Bresson wrote a slim volume of his thoughts on cinema called Notes on Cinematographer which defies categorisation. What is striking and unique about Bresson is how his writing is so much like his filmmaking: the elliptical style, the epigrammatic prose, the obtuse meanings, the material rigidity, the conciseness, the frugality of means.
Aug 20, 2022 · Rcs_key 24143 Republisher_date 20220820140518 Republisher_operator associate-loriemae-randoy@archive.org Republisher_time 102 Scandate 20220817072807 Scanner station40.cebu.archive.org Scanningcenter cebu Scribe3_search_catalog isbn
Befitting the filmmaker, Notes on the Cinematographer is an atypical book. Essentially a collection of notes made throughout his career, the book is less prose than it is notebook.
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Ranging over topics from the inspiration behind his films, to his ideas on the use of sound, actors, editing and music, and the state of (the then) contemporary cinema (from James Bond to the New Wave), Bresson describes his singular approach to filmmaking.
