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  1. cinematographer is making a voyage of dis-covery on an unknown planet. o Where not everything is present, but each word, each look, each movement has things underly-ing. o Significant that X's film, shot at the seaside, on a beach, breathes the characteristic smell of the stage. o To shoot ex tempore, with unknown models, in

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  2. Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. [1] J. M. G. Le Clézio wrote a preface for a new edition in 1988. [2] The book was published in English in 1977, translated by Jonathan Griffin. [3]

    • Robert Bresson
    • 1975
  3. Jan 1, 2001 · Notes on the Cinematograph is sometimes published as Notes on Cinematography or Notes on the Cinematographer, but “Cinematograph” feels best. In these musings, director/author Robert Bresson explores an understanding of film as a contrast between the cinematograph (Bresson’s ultimate aim)—the form in which film achieves its truly unique ...

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    • Paperback
  4. Jan 15, 2020 · Robert Bresson’s book on filmmaking Notes on the Cinematograph, known in other publications as Notes on Cinematography as well as Notes on the Cinematographer, is both a must-read and must-have for filmmakers and film lovers alike.

  5. Apr 4, 2004 · Robert Bresson wrote a slim volume of his thoughts on cinema called Notes on Cinematographer which defies categorisation. What is striking and unique about Bresson is how his writing is so much like his filmmaking: the elliptical style, the epigrammatic prose, the obtuse meanings, the material rigidity, the conciseness, the frugality of means.

  6. Ranging over topics from the inspiration behind his films, to his ideas on the use of sound, actors, editing and music, and the state of (the then) contemporary cinema (from James Bond to the New Wave), Bresson describes his singular approach to filmmaking.

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  8. Notes on the Cinematographer (French: Notes sur le cinématographe) is a 1975 book by the French filmmaker Robert Bresson. It collects Bresson's reflections on cinema written as short aphorisms. [1] J.

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