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- Noise is, at its heart, a reversal of the orthodox reading of Marx's base/superstructure model. By situating music as annunciatory of political economy, Attali is rejecting the economic determinism and reflection theory inherent in much critical cultural work.
www.thefreelibrary.com/Jacques Attali. Noise: The Political Economy of Music.-a0436696999
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Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied ...
- Jacques Attali, Brian Massumi, Frederic Jameson, Susan McClary
- 1977
Feb 24, 1977 · Attali goes back as far as the middle ages to show how industrialism and capitalism have attempted to commodify music in the last 200 years, and how legislation has sought to discipline noise, restrict sound, and alienate both musicians and audiences from the cultural labor of creating music.
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- Paperback
Apr 24, 2014 · Nearly 40 years after the publication of his 1977 book Noise: The Political Economy of Music, French economist and writer Jacques Attali spoke at Harvard on Monday about the relationship between music and a society’s economic structure.
Noise: The Political Economy of Music. Jacques Attali. Manchester University Press, 1985 - Music - 179 pages. “For Attali, music is not simply a reflection of culture, but a harbinger of change,...
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- Jacques Attali
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Though Attali's historical analysis of music is thoroughly economic, his honest critiques of Marxism and his downright libertarian, Utopian and anti-economistic conclusions are surprising and welcome.
Noise is, at its heart, a reversal of the orthodox reading of Marx's base/superstructure model. By situating music as annunciatory of political economy, Attali is rejecting the economic determinism and reflection theory inherent in much critical cultural work.
Common to these recent approaches is criticality towards the concept of noise as indexing a form of indeterminacy, or as embodying the negative, an approach that was exemplified, within a previous generation of noise theorists, by Jacques Attali’s Noise: The Political Economy of Music.
