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Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.
- Jacques Attali, Brian Massumi, Frederic Jameson, Susan McClary
- 1977
Common to these recent approaches is criticality towards the concept of noise as indexing a form of indeterminacy, or as embodying the negative, an approach that was exemplified, within a previous generation of noise theorists, by Jacques Attali’s Noise: The Political Economy of Music.
Though Attali's historical analysis of music is thoroughly economic, his honest critiques of Marxism and his downright libertarian, Utopian and anti-economistic conclusions are surprising and welcome.
Noise: The Political Economy of Music. Jacques Attali. Manchester University Press, 1985 - Music - 179 pages. “For Attali, music is not simply a reflection of culture, but a harbinger...
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- Jacques Attali
- 46
Noise is, at its heart, a reversal of the orthodox reading of Marx's base/superstructure model. By situating music as annunciatory of political economy, Attali is rejecting the economic determinism and reflection theory inherent in much critical cultural work.
Music, time, and international political economy: making coevalness. M. Davies. Political Science. Review of International Political Economy. 2022. Abstract Recent critical studies in International Political Economy (IPE) have engaged with the ‘temporal turn’ in International Relations.
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The historical changes in music have presented a system of political economy. What happens in music can predict the power systems in society. In connection
