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      • Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society.
      en.wikipedia.org/wiki/Noise:_The_Political_Economy_of_Music
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  2. Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.

    • Jacques Attali, Brian Massumi, Frederic Jameson, Susan McClary
    • 1977
  3. Feb 24, 1977 · Attali goes back as far as the middle ages to show how industrialism and capitalism have attempted to commodify music in the last 200 years, and how legislation has sought to discipline noise, restrict sound, and alienate both musicians and audiences from the cultural labor of creating music.

    • (922)
    • Paperback
  4. Jacques Attali, a French economist who was a Special Counsellor to President François Mitterand, proposes a number of theories on the political economy of music in this book, some quite bold and difficult to accept at first encounter, others more readily convincing.

  5. Apr 16, 2018 · Jacques Attalis Bruits [Noise] was first published in French in 1977, then in English translation in 1985. It presents a long-term history of musical development, based on Attali’s novel theory of distinct stages of historical development in music.

  6. Though Attali's historical analysis of music is thoroughly economic, his honest critiques of Marxism and his downright libertarian, Utopian and anti-economistic conclusions are surprising and welcome.

  7. Common to these recent approaches is criticality towards the concept of noise as indexing a form of indeterminacy, or as embodying the negative, an approach that was exemplified, within a previous generation of noise theorists, by Jacques Attalis Noise: The Political Economy of Music.

  8. Noise: The Political Economy of Music. Jacques Attali. Manchester University Press, 1985 - Music - 179 pages. “For Attali, music is not simply a reflection of culture, but a harbinger of...

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