Search results
Nobody's Cool is the second studio album by Lotion, released in March 1996. [2]Thomas Pynchon writing the album's liner notes drew attention; at the time, after "the press registered a fair amount of amazement" at this development, the New York magazine quoted Rob Youngberg as having said "We wanted him to do [the liner notes], so we kept hinting...
The Shins. Released. 2001 — US. CD —. Album, Enhanced. Explore the tracklist, credits, statistics, and more for Nobody's Cool by Lotion. Compare versions and buy on Discogs.
- (32)
- Rock
- 74
- Indie Rock
The name of Lotion’s first album is Full Isaac, which besides getting instant screams of recognition from Love Boat rerun watchers everywhere, shows an attentive nostalgia at work — not to mention some dream of an endless cruise, upon which Nobody’s Cool is the next leg of the band’s creative itinerary. As beneath the austerities of twelvetone music may lurk some shameless piece of ...
Nobody’s Cool Lotion. Released March 1996. Nobody’s Cool Tracklist. 1. Dear Sir Lyrics. 2. The New Timmy Lyrics (Missing Lyrics) 3. The Sad Part ...
And if you like Nobody's Cool or Lotion's third full-length, The Telephone Album (1998), or both, that's great. They're fine and fun. They're fine and fun. But they bring what can comfortably be called the rock, even the pop-rock, whereas the band's debut, full Isaac (1994), delivers stranger, less easily identified, and longer-lasting goods.
Sep 10, 2021 · The name of Lotion’s first album is Full Isaac, which besides getting instant screams of recognition from Love Boat rerun watchers everywhere, shows an attentive nostalgia at work—not to mention some dream of an endless cruise, upon which Nobody’s Cool is the next leg of the band’s creative itinerary. As beneath the austerities of twelvetone music may lurk some shameless piece of ...
In a stroke of extraordinary collegiate luck, reclusive novelist Thomas Pynchon took a shine to Lotion, and wound up visiting the studio and writing the liner notes to Nobody’s Cool. To the band’s inestimable credit, his three paragraphs of prosaic musing is the record’s least imaginative and involving component.
