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  1. The film details the life story of American professional baseball player Dock Ellis, his prolific career, his addictions to alcohol and amphetamines, his efforts to help other addicts until his death in 2008, and the no-hitter he threw while under the influence of LSD.

  2. No No: A Dockumentary: Directed by Jeffrey Radice. With Enos Cabell, Dave Cash, Roberto Clemente Jr., Vera Clemente. The life and times of major league pitcher Dock Ellis are explored in this revealing documentary.

    • (1.8K)
    • Documentary, Biography, Sport
    • Jeffrey Radice
    • 2014-09-05
  3. In 'No No: A Dockumentary,' Jeffrey Radice constructs an engaging portrait of the complicated but vivid baseball player Dock Ellis.

  4. And there was no cookie cutter persona to dock. You never knew whether he was serious, whether he was kidding, but he was always a guy that had something to say. He was probably one of the most misunderstood people in the game. He done a lot of damn good things while he was doing the bad things, but no one... oh, no, no. They don't pick that out.

  5. Jan 20, 2014 · Overview. Dock Ellis pitched a no-hitter on LSD, then worked for decades counseling drug abusers. Dock's soulful style defined 1970s baseball as he kept hitters honest and embarrassed the establishment. An ensemble cast of teammates, friends, and family investigate his life on the field, in the media, and out of the spotlight. Jeffrey Radice.

  6. Aug 5, 2019 · First-time director Jeffrey Radice tells in a straight-forward manner a compelling story about Dock Ellis, the brash, colorful and controversial big league pitcher from the late 1960s and ’70s, who is best known for tossing the only known no-hitter while he claims he was on LSD (we must believe him because there’s no one willing to verify ...

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  8. No No: A Dockumentary traces the colorful and complex career of MLB pitcher Dock Ellis, who pitched a no-hitter (or No No) on LSD in 1971. The infamous “no-no” is revisited by Dock, his teammates and sportswriters in No No, but director Jeff Radice’s film doesn’t dwell on that dubious achievement.

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