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  1. Nov 26, 2023 · An Overview. During the early 20th century, neoclassicism was one of the most important styles in music. The era is characterized by a return to traditional musical forms and instruments with an increased emphasis on formal compositional techniques.

  2. These concern musical terms, compositional practices and cultures from the fifteenth to eighteenth centuries, revisiting some key debates in musicology: first, the highly charged language of sweetness deployed in the fifteenth century; second, connections discerned in nineteenth-century music history between medieval polyphony and contemporary a...

  3. Oct 8, 2020 · Neoclassicism in music : from the genesis of the concept through the Schoenberg/Stravinsky polemic. by. Messing, Scott. Publication date. 1988. Topics. Schönberg, Arnold 1874-1951, Stravinsky, Igor 1882-1971, Schönberg, Arnold, Stravinsky, Igor, Neoclassicism (Music), Néoclassicisme (Musique), Musik, Neuklassizismus, Western music, 1900-.

  4. Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint.

  5. neoclassicism in music took on a lot of different forms, varying from country to country and even from composer to composer. However, there are a few compositional techniques that were pretty unique to music of the time! as it happens, the techniques below can be grouped to show the favored styles

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  6. Nov 24, 2021 · Article PDF Available. CLASSICISM AND NEO-CLASSICISMS IN THE HISTORY OF MUSIC. November 2021. DOI: 10.26520/mcdsare.2021.5.115-122. Authors: Bulancea Gabriel. Universitatea Dunarea de Jos...

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  8. Here the connections with literary imitation are weaker. The term "dialectical" is Neoclassic and Anachronistic Impulses in Twentieth-Century Music 221. Example 5. c) Mm. 2-9: analysis from Paul Wilson, "Concepts of Prolongation and Bart6k's Opus 20," Music Theory Spectrum 6 (1984): 82.

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