Captain Macheath
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The Boy with Two Hearts – Wales Millennium Centre. The Deep Blue Sea. The Effect – National Theatre in association with the Jamie Lloyd Company. The Father and the Assassin. The Habit of Art. The House of Bernarda Alba – National Theatre and Playful Productions. The Little Big Things – Michael Harrison Entertainment.
National Theatre Live: The Threepenny Opera: Directed by Rufus Norris, Nick Wickham. With Rory Kinnear, Rosalie Craig, Haydn Gwynne, Sarah Amankwah. As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business.
- (81)
- Comedy, Musical
- Rufus Norris, Nick Wickham
- 2016-09-22
National Theatre Live. Logo of National Theatre Live. National Theatre Live is an initiative operated by the Royal National Theatre in London. It broadcasts live, by satellite, performances of their productions (and those of other theatres) to cinemas and arts centres around the world.
May 26, 2016 · The Threepenny Opera received encore cinema screenings throughout January 2017. It is currently not available to view. The Threepenny Opera Production Credits. Theatre: Olivier Theatre. Producer: NT Live. Book: Bertolt Brecht, in collaboration with Elisabeth Hauptmann. Music: Kurt Weill. Lyrics: Bertolt Brecht.
As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground - and their daughter's whereabouts. With Olivier Award-winner Rory Kinnear (Hamlet, Othello, James Bond) as Macheath, alongside Rosalie Craig (As You Like It, My Family and other ...
I L<3ve Musicals! This new translation of the Bertolt Brecht-Kurt Weill has been polarising audiences at the National Theatre, but it is a vibrant and lively production, entertaining and bawdy, and – some diction issues aside – a well-sung musical black comedy. I’m pleased to report that Weill’s music has definitely stood the test of time. Rory Kinnear (showing versatility with fairly ...
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May 27, 2016 · This version of Brecht’s Threepenny Opera doesn’t take itself seriously enough. There’s a slight feeling of panto to this winking, burping and swearing Brechtian circus show. Actually, that’s not quite right: this feels more like an end of term school concert. It’s as if all the very clever and sensible people at The National have ...
