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  1. The percentage of users who rated this 3.5 stars or higher. Adopted as a child, an anchorwoman (Essence Atkins) reconnects with her birth mother (Lynn Whitfield) and extended family when she ...

  2. Directed By: Stan Foster. Streaming: Sep 14, 2016. Uplifting Entertainment, Swirl Films. Do you think we mischaracterized a critic's review? My Other Mother Reviews. All Critics. Top...

  3. My Other Mother: Directed by Stan Foster. With Essence Atkins, Lynn Whitfield, Jasmine Guy, Angie Stone. When gruff and independent Candy meets her angry and stubborn birth mother, can the two open their hearts to each other?

    • (248)
    • Drama
    • Stan Foster
    • 2014-09-21
    • Call Me by Your Name (2002) While not a Netflix Original (which means it's not likely to stay here forever), Call Me by Your Name a fantastic and critically acclaimed film that just recently returned to Netflix.
    • The Woman King (2022) The Woman King is based on the impressive and intimidating all-women army of the Agojie tribe, from the Dahomey Kingdom in West Africa.
    • Marriage Story (2019) Inspired by the breakup of his own marriage, director/writer Noah Baumbach’s Marriage Story is sort of like Kramer vs Kramer for the modern age.
    • Da 5 Bloods (2020) Spike Lee doesn’t do half-measures, and he goes all in on Da 5 Bloods. The film focuses on a group of Vietnam vets who return to the country in search of the remains of their fallen squad leader.
  4. “My Other Mother” is an inspiring film about a woman’s quest to meet her real mother who had released her for adoption. Candy (short for Candice), played by Lynn Whitfield, is a morning TV host who is very demanding of those around her to the point of being annoying.

  5. With thousands of choices on the platform, both original and acquired, we’ve found the 100 top Netflix movies with the highest Tomatometer scores! Time to get comfy on the couch! New top movies...

  6. May 19, 2023 · That’s despite a pretty lukewarm response from critics, with a 44% rating on Rotten Tomatoes, and a general consensus that the film leans too heavily on cliché to carve out its own identity ...

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