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Pieter Kempeneer, known in Spain as Pedro de Campaña, had a significant presence in Sevillian painting during his stay in that city between 1537 and his return to Brussels in 1562.
Il binomio composto dall’Adorazione dei pastori di Cento1 (fig. 1b)2 e dal cartone preparatorio (fig. 1a)3 è stato giudicato in modi diversi, ponendo in alternativa Giovan Battista Ramenghi (1521-1601) e Peeter de Kempeneer (circa 1503-1580)4, ma in realtà la situazione critica è più complessa.
May 18, 2017 · La Descente de Croix du Musée Fabre, de tempérament flamand sous influence italienne, huile sur bois de grande dimension, 189 x 179, a été peinte vers 1547 pour un retable privé à l'église ...
The life of Pieter de Kempeneer, better known as Pedro de Campana, is documented almost exclusively in Spanish sources, for the artist, who was born in Brussels around 1503, lived and worked in Seville from 1537 to 1561.
Pieter de Kempeneer (1503–1586) • Called Pedro de Campaña. • Was a Flemish painter. • His name was Pieter de Kempeneer, translated into French as Champaigne, and was also known as Peter van de Velde. • Born in Brussels, he trained there with Bernard Van Orley.
Pieter de Kempeneer was a Flemish religious painter and designer of tapestries, chiefly active in Sevilla, Spain, where he was called Pedro Campaña. By 1537 he had settled in Sevilla and apparently remained there until shortly before 1563, when he was appointed director of the tapestry factory in.
Pedro Campaña. 1503 - 1580. Born into a prominent Brussels family of painters and tapestry designers, Peter de Kempeneer, as he was originally named, became one of the leading religious painters of Seville in the mid-16th century.
