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Jan 17, 2019 · The purpose of this chapter is to examine Merleau-Ponty’s references to music in his classic text Phenomenology of Perception. This procedure reveals four major themes related to music, namely notions of motor space and tacit knowledge, the unity of music and...
- Marc Duby
- dubym@unisa.ac.za
- 2019
Apr 12, 2013 · Maurice Merleau-Ponty's phenomenology offers an extremely robust and frequently utilized framework for understanding embodied life, but the interlocking roles of music, sound and silence in his treatment of embodiment are rarely noted.
- Amy Cimini
- 2012
Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought.
Maurice Jean Jacques Merleau-Ponty [2] (French: [mɔʁis mɛʁlo pɔ̃ti, moʁ-]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger.
Sep 14, 2016 · Maurice Jean Jacques Merleau-Ponty (1908–1961), French philosopher and public intellectual, was the leading academic proponent of existentialism and phenomenology in post-war France.
May 24, 2013 · For example, the initiate of the Dionysian mystery cult would dance to music on the mountainside in order to enter into an ecstatic state and meet her god face to face. This paper will explore music’s role in inducing such states of transformation.
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Sep 3, 2015 · Specifically, I draw on the phenomenology of Maurice Merleau-Ponty to argue that situated, active listeners project their motor intentional gestures inside music, where they reconstitute the very nature of musical space and its objects according to their own unique perspective.
