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  1. Apr 28, 2021 · In his new six-part series of essays entitled The Cruelest Month, Matt pays tribute to his mother, Bettye Seitz, who passed away on April 2nd, 2021; his second wife, Nancy, who died on April 27th, 2020; our site’s founder and my late husband, Roger Ebert, who passed away on April 4th, 2013; his stepmother, Genie Grant, who died on April 25th ...

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  2. Apr 27, 2021 · The Cruelest Month, Part 3: Sorry-Grateful. Matt Zoller Seitz. April 27, 2021. 12 min read. Nancy Dawson, my beloved wife of three years and friend for over 30, died a year ago today. April 27, 2020. She had just turned 53. She died of cancer. Nancy told me to say that.

  3. He founded the film and media criticism blog The House Next Door. Seitz is known as a leader in the creation of video essays, frequently featured on Moving Image Source[5] and The L Magazine, [6] and served as the publisher of PressPlay, a site for video-based film and television criticism. He was a finalist for the 1994 Pulitzer Prize for ...

  4. Sep 8, 2021 · Matt Zoller Seitz | Vulture | September 7, 2021 | 3,450 words. by Seyward Darby September 8, 2021. Click to email a link to a friend (Opens in new window) “Rare is the actor who can locate the specific in the universal and vice versa. Michael K. Williams was that actor.”.

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  5. Oct 24, 2024 · The film is a bleakly funny domestic drama set in London, about a Black optometrist named Hortense (Marianne Jean-Baptiste) who was adopted as a baby and discovers that her birth mother Cynthia (Brenda Blethyn) is a white woman with a large, unruly, unhappy family. The first example of Pope’s brilliance is the scene where Hortense and Cynthia ...

  6. Jun 20, 2013 · In the wake of James Gandolfini’s death – of a heart attack, at the appallingly young age of 51 – I keep coming back to that realness, and the source of it, his goodness. I got to know him a bit...

  7. Dec 30, 2018 · Matt Zoller Seitz, left, and Alan Sepinwall. via Sirk Productions. We ended up breaking it up so that the stuff related to James Gandolfini was in its own section, and that made the book feel...

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