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A presentation by Craig Holdrege, Director and Senior Researcher at The Nature Institute, on the life and work of Franz Marc, the great expressionist painter...
- 62 min
- 12.2K
- The Nature Institute
Franz Marc: A collection of 338 works (HD)Description: "Franz Marc was born on February 8,1880, in Munich. According to his first biographyer, Alois Schardt,...
- 34 min
- 68.9K
- LearnFromMasters
This video, discusses Franz Marc's 1913 painting housed at the Kunstmuseum Basel, Switzerland, which was partially destroyed by fire. Paul Klee played a role...
- 3 min
- 77
- Vivie's Art World
- Pantheism
- Expression Through Color and Form
- How Does A Deer See The World?
- Color and Energy
- Toward Abstraction
Pantheism (literally “all-God-ism”) is the belief that God is not separate from the universe that he created, but identical with it, immanent within it like “shivering and coagulating blood in nature, in animals, in the air.” Probably the most famous statement of the pantheist creed is that of the English Romantic poet William Wordsworth. In his 17...
Marc’s animalization of art did not simply entail naturalistic paintings of animals in unspoiled landscapes. Already in The World Cow and Grazing Horses IV, we can see Marc intensifying the color and simplifying the drawing of his subjects, a tactic he takes even further in Large Blue Horses. In all of these works, Marc uses primary and secondary c...
The fracturing and fragmentation in Delaunay’s works are reflective of human perceptual tendencies: the way present sense-experiences awaken simultaneous echoes of past viewings in the mind. Marc expressly wished to avoid making paintings about human perception. Why reject painting corrupt human beings, and then execute works that reflect a specifi...
Another way to look at Marc’s project is not in terms of objects or the perception of them, but rather in terms of energy and forces. Marc’s description of pantheism as an “organic rhythm,” as “the shivering and coagulating of blood in nature” suggests that the animals and landscape elements themselves are just temporary “coagulations” of matter an...
In the same letter where he talks about how he turned to animals as a more pure subject than humankind, Marc continues, “But then I discovered in [animals], too, so much that was ugly and unfeeling … Trees, flowers, the earth all showed me every year more and more of their deformity and repulsiveness — until now, suddenly, I have become fully consc...
Jun 18, 2024 · Fate of the Animals by Franz Marc holds a powerful place in art history, especially for its premonitory depiction of chaos and destruction, which contrasts sharply with Marc’s other works. The painting’s link to both World War I and the avant-garde movement underline its historical importance.
- ( Head of Content, Editor, Art Writer )
- 1913
- Franz Marc (1880-1916)
- Animal painting
Jun 13, 2024 · The Foxes by Franz Marc is a striking example of early 20th-century German Expressionism, painted in 1913. This vibrant and dynamic piece exemplifies Marc’s unique approach to depicting animals, which he saw as embodying purity and spiritual harmony.
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Sep 25, 2024 · The blue horse, central to the composition, is depicted in a serene and almost otherworldly manner, reflecting Marc’s belief in the spiritual purity and innocence of animals. This painting not only showcases Marc’s innovative use of color symbolism—where blue represents spirituality and masculinity—but also marks a pivotal moment in the ...
