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Jun 18, 2024 · Context and Background. Franz Marc, a prominent figure in German Expressionism, created Fate of the Animals in 1913. This striking oil on canvas painting, currently housed in the Kunstmuseum in Basel, veers drastically from Marc’s usual portrayal of animals in serene settings.
- ( Head of Content, Editor, Art Writer )
- 1913
- Franz Marc (1880-1916)
- Animal painting
- Pantheism
- Expression Through Color and Form
- How Does A Deer See The World?
- Color and Energy
- Toward Abstraction
Pantheism (literally “all-God-ism”) is the belief that God is not separate from the universe that he created, but identical with it, immanent within it like “shivering and coagulating blood in nature, in animals, in the air.” Probably the most famous statement of the pantheist creed is that of the English Romantic poet William Wordsworth. In his 17...
Marc’s animalization of art did not simply entail naturalistic paintings of animals in unspoiled landscapes. Already in The World Cow and Grazing Horses IV, we can see Marc intensifying the color and simplifying the drawing of his subjects, a tactic he takes even further in Large Blue Horses. In all of these works, Marc uses primary and secondary c...
The fracturing and fragmentation in Delaunay’s works are reflective of human perceptual tendencies: the way present sense-experiences awaken simultaneous echoes of past viewings in the mind. Marc expressly wished to avoid making paintings about human perception. Why reject painting corrupt human beings, and then execute works that reflect a specifi...
Another way to look at Marc’s project is not in terms of objects or the perception of them, but rather in terms of energy and forces. Marc’s description of pantheism as an “organic rhythm,” as “the shivering and coagulating of blood in nature” suggests that the animals and landscape elements themselves are just temporary “coagulations” of matter an...
In the same letter where he talks about how he turned to animals as a more pure subject than humankind, Marc continues, “But then I discovered in [animals], too, so much that was ugly and unfeeling … Trees, flowers, the earth all showed me every year more and more of their deformity and repulsiveness — until now, suddenly, I have become fully consc...
Fate of the Animals is a painting by Franz Marc created in 1913. It is oil on canvas. This work contrasts most of Marc's other works by presenting animals in a brutal way rather than depicting them in a peaceful manner.
He is most famous for his images of brightly colored animals, especially horses, which he used to convey profound messages about humanity, the natural world, and the fate of mankind. In association with Russian painter and theorist Wassily Kandinsky , Marc founded the group Der Blaue Reiter , which emphasized the use of abstracted forms and ...
- German
- February 8, 1880
- Munich, Germany
- March 4, 1916
In paintings like Horse in a landscape (1910), he even tried to emulate the animal’s point of view and experience of the world. The year 1910 was significant for Marc: he had his first solo exhibition in Munich and met the Expressionist painter August Macke .
- German
- February 8, 1880
- Munich, Germany
- March 4, 1916
Franz Marc painted animals which he viewed as innocent creatures in an ideal world, uncorrupted by man. Franz Marc simplified his images into geometric shapes which fused the subject with its background.
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Capitalizing on a jovial kitsch aesthetic, Cassius Marcellus Coolidge's painting of dogs eyeing each other furtively around a card table has come to be known as one of the most identifiable artworks in modern art history.
