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  1. Marc’s animalization of art did not simply entail naturalistic paintings of animals in unspoiled landscapes. Already in The World Cow and Grazing Horses IV, we can see Marc intensifying the color and simplifying the drawing of his subjects, a tactic he takes even further in Large Blue Horses.

  2. The combination of these influences was evident in Marc’s early paintings such as Woman in the Wind by the Sea (1907) and Jumping Dog Schlick (1908). His early style was naturalistic, and the artist gravitated toward the natural world, especially animals.

    • German
    • February 8, 1880
    • Munich, Germany
    • March 4, 1916
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  3. en.wikipedia.org › wiki › Marc_ButanMarc Butan - Wikipedia

    Marc Butan is an American film producer and CEO at MadRiver Pictures, a Beverly Hills, California -based motion picture production company. During his career, he has served as co-president at Sierra/Affinity, [1] president at Panorama Media, [2] president at 2929 Productions and executive vice president of production at Lionsgate, [3] where he ...

  4. FRANZ MARC (1880 -1916) 'Blue Horse' 1911 (oil on canvas) Franz Marc painted animals as they symbolized an age of innocence, an Eden before the Fall, free from the materialism and corruption of his own time. Animals in Marc's art are metaphors for his visionary outlook.

  5. Dec 24, 2017 · Titled according to theme—such as Self Portraits, Mythology, and Nature and Ecology —the collections are packed full of free images for art lovers to search, browse, share, and download via NGA Images.

  6. Capitalizing on a jovial kitsch aesthetic, Cassius Marcellus Coolidge's painting of dogs eyeing each other furtively around a card table has come to be known as one of the most identifiable artworks in modern art history.

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  8. Jun 1, 2017 · Inspired by this history, we share below seven animals—from peacocks to ermines—and what they symbolize when depicted in paint. Ermine. Leonardo da Vinci, Lady with an Ermine (Portrait of Cecilia Gallerani), ca. 1489–90. Image via Wikimedia Commons. William Segar, The Ermine Portrait, 1585. Image via Wikimedia Commons.

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