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  1. Apr 10, 2024 · We have an official Frozen 2 - Lost In The Woods tab made by UG professional guitarists.

    • 1st fret
    • Ab
    • advanced
    • E A D G B E
  2. Dec 10, 2023 · Learn how to create captivating, funky disco chord progressions in a few simple steps! Enhance your productions and make your music stand out (for all genres). Free Packs

    • lost in the disco chords easy video1
    • lost in the disco chords easy video2
    • lost in the disco chords easy video3
    • lost in the disco chords easy video4
    • lost in the disco chords easy video5
    • Example 1. Chic-Style Disco Groove
    • Example 2. Palm-Muted 16Th-Note Strumming
    • Example 3. Kool & The Gang-Style Idea
    • Example 4. Octaves with Non-Linear Phrasing
    • Example 5. Jazzy Al Mckay-Style Line
    • Example 6. Lines in 3rds

    The first example is a Nile Rodgers-style disco groove. Basic minor 7 chords are given a simple tweak by the addition of sus4 ad libs. Rodgers often targets string ‘zones’ (ie. bottom, middle or top), so you’ll rarely hear him play a succession of full six-string chords. This partial chord approach demands a more conscious and precise picking-hand ...

    This idea is a throwback to the single-note lines of Jimmy Nolen (James Brown) with some Rodgers-style twists. This technique uses palm-muting, together with relentless 1/16th-note movement in the picking hand. It also uses a number of ghost notes on the open fourth string that are improvised in between the full mutes. Aim to think of these as quie...

    The ‘e & a 4’ rhythm on beat 3 of this riff is a classic Claydes Charles Smith device that’s good practice for your general rhythm skills. Try ghosting the initial downstroke in mid-air on the rest before the up strummed chord to help catch this in time. The end of bar 2 sees another of his favourite moves, from A9 to A9sus4/Em11 – note that the ch...

    High octaves are a classic disco-era device, and the simplicity of the shape allows for some interesting rhythms. There’s a cool phrase of three that gets recycled a few times here – check out the rhythm of the first three beats – in this Claydes Charles Smith-style line. Odd, non-linear phrasing like this can really transform a simple idea, becaus...

    The next two examples are typical intro and verse ideas for a tune in the style of Earth, Wind & Fire. The first highlights their jazz fusion influence, with slash chords and Whole-Tone movement. Although MacKay usually only plays the upper triad from these chords, it’s worth exploring the ‘outside’ sound of the full shape. The E/D chord can be tho...

    MacKay uses a common funk principle of improvising with 3rds made up from chord tones (the D and Bm7, for example, both share the same chord tones of D and F#), plus another diatonic diad, either above or below the chord. The main challenge is being precise with the chord placements and mutes in all the correct places. That said, treat this like mo...

  3. May 10, 2013 · Dance music theory expert Oliver Curry examines how classic disco uses chord inversions and careful placement of instruments to great effect, and explains how the same principles can be applied to virtually any genre.

  4. Capo: 1. [Intro] G G7 C Eb G G7 C. [Verse1:kristoff] Again, you're G gone C. Off on a D different path than B mine. I'm left Em behind. Wondering Am if I should Dsus4 follow C. You D had to G go C. And, of D course, it's always B fine. I Em probably could catch Am. up with you Dsus4 tomorrow C D. [Pre-chorus:kristoff]

  5. Lost Chords by Linkin Park. Learn to play guitar by chords / tabs using chord diagrams, watch video lessons and more.

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