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  1. Robert "Waddy" Wachtel (born May 24, 1947) is an American musician, composer and record producer, most notable for his guitar work. Wachtel has worked as session musician for other artists such as Linda Ronstadt, Beth Hart, Stevie Nicks, Kim Carnes, Randy Newman, Keith Richards, The Rolling Stones (lead guitar on "Saint of Me"), Jon Bon Jovi, James Taylor, Iggy Pop, Warren Zevon, Bryan Ferry ...

  2. "Lives in the Balance" is a song written and performed by American singer-songwriter Jackson Browne, the title track of his 1986 album, Lives in the Balance. A live version is also found on Browne's Solo Acoustic, Vol. 1. The song is written in the key of G minor with a rate of 138 BPMs. The song has a dark theme and lyrically it is about, “A ...

  3. Oct 18, 2012 · This is the song "Lives in the Balance" by Jackson Browne released in 1986, with Lyrics.

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  4. World in Motion. (1989) Lives in the Balance is the eighth album by American singer-songwriter Jackson Browne, released in 1986. It reached number 23 on the Billboard 200 chart. The title track as well as "For America" and "In the Shape of a Heart" were released as singles. The album was ranked number 88 on Rolling Stone 's list of the best 100 ...

  5. Aug 26, 2013 · Session giant Waddy Wachtel looks back on 11 career-defining records “There was an incredible spirit in the air," says guitarist Waddy Wachtel, looking back on a golden period of time, during the '70s and early '80s, when he and an elite, close-knit group of Los Angeles-based musicians (including drummer Russ Kunkel, bassist Leland Sklar, keyboardist Craig Doerge and guitarist Danny ...

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  6. Lives in the Balance is the eighth album by American singer/songwriter Jackson Browne, released in 1986 (see 1986 in music). It reached number 23 on The Billboard 200 chart. The title track as well as "For America" and "In the Shape of a Heart" were released as singles. The album was ranked number 88 on

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  8. Mar 21, 2023 · Waddy Wachtel “He’s got that big fat humbucker sound, so I couldn’t use a Les Paul; I had to go for a Strat sound. We kind of counter-rhythmed off each other, but we didn’t talk about it. Keith played the rhythm in the first verse, and I came in with little chops and hits. “The track was cut live, and Keith had his rhythm thing going.

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