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Aug 10, 2020 · Waddy Wachtel: Well, I just happen to have a few Les Pauls here at home, but I also have, well I have my original Strat, which is a ’57. Rick: Oh yeah, cool. Waddy Wachtel: That’s the Road Worn Strat, which is a great series Fender made a couple of years ago, the Road Worn Series, the ’50s Strat and Tele, and the basses are beautiful too.
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Robert "Waddy" Wachtel (born May 24, 1947) is an American musician, composer and record producer, most notable for his guitar work. Wachtel has worked as session musician for other artists such as Linda Ronstadt, Beth Hart, Stevie Nicks, Kim Carnes, Randy Newman, Keith Richards, The Rolling Stones (lead guitar on "Saint of Me"), Jon Bon Jovi, James Taylor, Iggy Pop, Warren Zevon, Bryan Ferry ...
Aug 26, 2013 · Session giant Waddy Wachtel looks back on 11 career-defining records “There was an incredible spirit in the air," says guitarist Waddy Wachtel, looking back on a golden period of time, during the '70s and early '80s, when he and an elite, close-knit group of Los Angeles-based musicians (including drummer Russ Kunkel, bassist Leland Sklar, keyboardist Craig Doerge and guitarist Danny ...
Edge of Seventeen is a perfect combination of tough rock 'n' roll grit, raw emotion and full-beam, strut-about-in-platform-boots rock queen glamour – Zoe Howe. Though Nicks wrote the song in the ...
Apr 3, 2024 · Even those unfamiliar with the name have likely come across the impactful works of Waddy Wachtel at some point during their lives. Whether it’s in the deeply-cut ridges of Stevie Nicks‘ ‘Edge of Seventeen’ riff or the upbeat, bouncy arrangements of Warren Zevon’s ‘Werewolves of London’, Wachtel’s legacy pervades the very foundations of musical history, infusing the vibrant ...
Mar 21, 2023 · Waddy Wachtel “He’s got that big fat humbucker sound, so I couldn’t use a Les Paul; I had to go for a Strat sound. We kind of counter-rhythmed off each other, but we didn’t talk about it. Keith played the rhythm in the first verse, and I came in with little chops and hits. “The track was cut live, and Keith had his rhythm thing going.
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And when she sings, the world stops. When she sang ‘Blue Bayou’ [in the studio], it was a live vocal. Peter said, ‘When she’s singing, have your shit together, because it’s going to be going live.’ Fantastic. Incredible is the word.” Listen to Ronstadt’s live vocal and Wachtel play acoustic guitar on 1977’s “Blue Bayou”
