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May 11, 2017 · When Leftfield released their debut album in 1995, it changed dance music forever. Wilfully eclectic, Leftism never settled on a single genre, dabbling in tribal, trance, dub, house and ambient...
"Leftfield is a genre inspired by Paul Daley and Neil Barnes, two electronic music pioneers who were the first to fuse house music with dub and reggae. Their desire to ignore the boundaries of genre classifications and experiment with new sounds that were often indefinable in terms of the genre classifications around at the time, led popular UK ...
The 1950s (arguably going back to 1947-1948) were the most interesting and tumultuous decade in popular music (more or less going from swing to traditional pop to rock and roll), even if their output wasn't as "deep" or polished as that of the mature classic rock of the late 1960s.
- Planning and Creating
- Rhythm and Squabbles
- Known and Unknown
- Wheels and Deals
Now, with Barnes and Daley having spent three years in the studio struggling to draw up the architectural plans for new cathedrals of sound, the result is a sequel that is as vital, relevant and challenging as its predecessor. Standout tracks include rising London rapper Roots Manuva freestyling over the sci-fl hip-hop of Dusted, the aforementioned...
During the making of Rhythm And Stealth, rumours abounded of serious studio rifts between Daley and Barnes, apparently stemming from a mutual dread that, with Leftism, their finest hour had passed. An honest bloke, Daley makes no attempt to deny them. "Sometimes it was good, sometimes it was bad, but it was like that for the first album as well. It...
Before meeting him, I wouldn't have been able to pick Leftfield's Paul Daley out of a police line-up. Indeed, like a lot of faceless boffins, he seems most comfortable being heard and not seen. A fair comment? "Perhaps when I was younger I was interested in fame, but I'm 36 now and you change as you get older," he expounds. "I’m just interested in...
A few years ago, Daley was surprised to find himself spinning the steel wheels before 20,000 people at Tribal Gathering, a state of affairs he could never have foreseen a mere five years ago. “I never saw the whole scene ever being like it is now," he explains. "When we were making Leftism, I thought the whole scene was on its knees taking its dyin...
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Mar 6, 2021 · Heisei No Oto explores an inflection point in Japanese pop music where changes in technology brought changes in sound. The production of music on CD ramped up around the same time that ...
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Released in January 1995, their debut album Leftism remains one of the defining statements of dance music, a gloriously inter-woven bombardment of musical styles and immaculate grooves, nominated for a Mercury prize and later voted in the top ten greatest albums of all time by readers of Q magazine.
