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  1. 3 days ago · Come True84%. #3. Critics Consensus: Well-acted and visually striking, Come True offers an eerily effective reminder of how the sleeping subconscious can be fertile ground for horror. Synopsis: Looking for an escape from her recurring nightmares, 18-year-old Sarah (Julia Sarah Stone) submits to a university sleep study, but...

    • Initiation
    • Malignant
    • Detention
    • The Queen of Black Magic
    • Sator
    • Gaia
    • Candyman
    • Slumber Party Massacre
    • Censor
    • Psycho Goreman

    One of 2021’s biggest surprises — and one of its better slashers — is John Berardo's Initiation. It's a campus thriller with a masked killer who hunts athlete frat bros for an atrocious secret they keep hidden. That sounds, what … par for the course? How many 1980s or 1990s Pledge Night templates exist like this? I get the hesitation but allow me t...

    James Wan’s Malignant— at least among horror crowds — became a viral internet sensation because any description sounded like an admission of insanity. It’s a throwback to 1990s and early 2000s wildness like FearDotCom or anything produced by Dark Castle Entertainment that drags nostalgia out of the 1980s. Contortionist Marina Mazepa portrays a dorm...

    Let’s continue with a video game adaptation set in 1962 Taiwan, during the White Terror martial law period. John Hsu’s Detention takes the framework of survival horror in a high school setting, with paranormal scares derived from national trauma turned into an otherworldly evil. Guards enforcing tyrannical practices become demons in an alternate re...

    If you’re not privy to the recent wave of Indonesian horror crashing onto platforms like Shudder, use The Queen Of Black Magic as your introduction. Kimo Stamboel and Joko Anwar tag-team as director and writer (respectively), both of whom have introduced American audiences to overseas nightmares like Macabre and Satan’s Slaves. This particular coll...

    If Sator were a dish in a three-course meal, it’d be an appetizer before The Dark And The Wicked and Relic. Jordan Graham’s low-budget heartacher is parts Krisha and parts The Blair Witch Project — never as terrifying, mind you — as a psychologically threatening glimpse of grief-driven horrors. Graham directs, writes, edits, gaffs, scores, and does...

    Welcome to South Africa’s Tsitsikamma forest, where Jaco Bouwer‘s Gaia wages an environmental war against humankind. Two park rangers investigate a figure on their surveillance cameras during a routine check but find agitated survivalists and monsters born from vengeful soil. Mother Earth’s rightfully pissed about how we’ve poisoned our planet, so ...

    Nia DaCosta’s Candyman— say it five times — was worth the wait. It’s a reclamation of Daniel Robitaille’s story through a new perspective, modernized and recontextualized by Black creators. DaCosta is clever to hone in on “Candyman” as an ideology, not a sole slasher villain, as a commentary on the cyclical nature of the racial injustices suffered ...

    For those who haven’t humored my after-hours defenses of horror remake culture, let my praise for Danishka Esterhazy’s Slumber Party Massacre set the tone. The 1987 original lusts after co-eds pursued by the “Driller Killer” as a means of satirizing the prevalent male gaze in 80s slashers — a premise of the times that drew hesitation in terms of mo...

    Censor is no one-trick pony, from its addressing of censorship in media — driven by the U.K. government’s enforced edits during the “Video Nasty” era — to a trippy transformation into the very type of movie its main character censors. Prano Bailey-Bond proudly keeps her video nasty in this satire turned slasher, one that stacks the ignored underbel...

    “I do not care for hunky boys … or do I?” If you don’t know this quote or the many other delightfully unexpected lines of dialogue throughout Psycho Goreman, fix that immediately. Steven Kostanski takes the formulaic sitcom family and introduces an unstoppable alien executioner to their dysfunctional household. Littlest Mimi (Nita-Josee Hanna) snat...

    • Matt Donato
  2. However, the horror genre also produced some true gems. These are the best horror movies of 2021, determined by the weekly reviews on this site. All of these best horror movies were given 3 stars or more by the assigned writer, and you can find where to watch the best horror movies by clicking on each review and seeing its online availability at the top.

    • A Quiet Place Part II. The eagerly anticipated sequel to one of the biggest horror films of all time does its best work at the beginning and end, documenting the sudden arrival of the aliens and their immediate disruption of small-town life, as well as introducing the aliens to a previously idyllic island which had avoided attacks.
    • There's Someone Inside Your House. A bare-bones slasher that benefitted from a prime October Netflix release, Shawn Levy and James Wan brought some high-level production to this throwback that evoked the best of late-’90s, post-“Scream” fare.
    • The Unholy. Weighed down by negative reviews and deadened by an April release date, “The Unholy” elevated a relatively routine possession and exorcist tale into something unique.
    • Wrong Turn. This remake of the 2003 franchise starter emerged from VOD hell with a nasty and brutish spin on a modern “Deliverance.” It all starts so simply — twenty-somethings go into the woods in a place they’re not wanted, and tragedy ensues — but elevates further once they stumble across a forest cult called the “Foundation.”
  3. 2021 1h 49m R. 5.6 (38K) Rate. 46 Metascore. Friends hiking the Appalachian Trail are confronted by 'The Foundation', a community of people who have lived in the mountains for hundreds of years. Director Mike P. Nelson Stars Charlotte Vega Adain Bradley Bill Sage. 2. Willy's Wonderland.

  4. A criminal mastermind unleashes a twisted form of justice in Spiral, the terrifying new chapter from the book of Saw. Director: Darren Lynn Bousman | Stars: Chris Rock , Samuel L. Jackson , Max Minghella , Marisol Nichols

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  6. Lucky. #8. A rich blend of thrilling horror and sharp social commentary, Lucky acts as a bloody good calling card for director Natasha Kermani and writer-star Brea Grant. A self-help book author finds herself stalked by a threatening figure who returns to her house night after night.

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