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Jun 26, 2022 · Matt guides you through the musical multiverses of Melody, Harmony, Timbre, and Rhythm as he highlights Danny Elfman’s score from Doctor Strange in the Multi...
- 30 min
- 235
- Double P Media
Jun 23, 2012 · The German title Spiegel im Spiegel means both “mirror in the mirror” as well as “mirrors in the mirror”, referring to the infinity of images produced by parallel plane mirrors. In the music, this mirroring is achieved through the fragments in the piano, which are endlessly repeated with small variations, as if reflected back and forth.
Jun 12, 2018 · Composer´s Review:Metaphorically speaking, mirrors are related to alternative realities and times. In the composer’s view, these unreal scenarios can be cont...
- 17 min
- 325
- Mateo Sepúlveda Rios
Feb 16, 2015 · There is a listenable love to be found in Zimmer’s score. Much alike the score of the 1982 film Koyaanisqatsi – written by one of the fathers of minimalism, Phillip Glass, and very likely an important influence for Hans Zimmer – Interstellar’s score is about love. It is about “stopping to smell the flowers” and paying attention to ...
Dec 19, 2019 · Meshes of the Afternoon (1943) is a memorable, experimental, surreal short film directed and written by Maya Deren. Referred to as poetic psychodrama, the film was ahead of its time with its focus on depicting fragments of the unconscious mind, externalising disjointed mental processes, dreams, and potential drama through poetic cinematic re-enactments brought to life…
Oct 18, 2018 · The essential surrealist musical device, as Poulenc (following Satie) demonstrated again and again, was to surround the extravagant dream-imagery [of text or scenario] with a music that sounded insistently “normal” and commonplace in its evocation of the familiar music of one’s surrounding “lifestyle.” . . . Poulenc affirms the special role music can play in the surrealist collage by ...
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